Another May

Poem on window pane (detail), HABS, Library of Congress

Another May new buds new flowers
Ah why has happiness no second spring

Scratched into a sitting room window pane of Borough House, which was built between 1758 and 1821 in Sumter County, South Carolina.

The words (with slight variations) are from “Sonnet II” by Charlotte Smith  — whose poems were praised by her contemporaries Wordsworth and Coleridge.

I have not been able to find out who might have put them on the window.

Borough House, S.C., HABS, Library of CongressBorough House is architecturally noteworthy because it is partly constructed with rammed earth — an unusual building material in the United States.  (There is more about the house here.) It still stands today, in private ownership.

(I believe that the window with the poem is one of the two left of the front door.)

The photos here are part of an Historic American Buildings Survey (HABS), May 1985, via Library of Congress Prints and Photographs Division.

Life in gardens: conversation

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I like this trio of photos by Louise Rosskam, which capture two men on a town common bench evidently enjoying a funny story or joke.

They were  taken in Vergennes, Vermont, in August 1940.*

New England commons were (and are) community spaces that probably evolved from the lots originally set aside for village meetinghouses or churches.  After the mid 19th century, many began to function like parks.†

Although Rosskam was not employed there, a series of photos that she took in rural Vermont became part of the picture archives of the Farm Security Administration.

In a 1965 oral history interview, she related how she proposed taking these pictures for the FSA, where her husband, Edwin, was a photo editor.

. . . [O]nce I took a vacation in Vermont, and I said to Roy [E. Stryker, head of the Information Division],”Could I take some pictures for you?” you know, “I’ll buy my own film and everything.” And he said, “Oh, here’s some film,” and then he starts rambling along about Vermont and really it didn’t sound as if it had anything to do with what you wanted to do at all. You started talking about hills, farmhouses and how people build a little extension on the house for the old people, and about pickled limes, the sky and how to get to Vermont 50 years ago, you know; by the time you got through listening to him ramble along, you begin to get some sort of formation in your mind of what there was up there so that when you get out there (phone rings)-

LOUISE ROSSKAM: (continues after phone conversation) But I’m sure that everybody sitting around, listening to Roy ramble, as it seemed, began to get his mind turned in the direction to be open to a lot of things that ordinarily he wouldn’t perceive when he got to a place. Don’t you think that’s true?

For many years afterward, her Vermont photos were attributed to her husband.  The records were corrected in 2001.

Laura Katzman, an associate professor of art history at James Madison University, curated two exhibits of Louise Rosskam’s photos and described her work like this:

She was one of those documentary photographers for whom the people and the work were so much more important than her name or her career. . . .  She tried to erase herself as much as possible. It was a pure documentary ideal that was impossible to achieve: let the subject feel comfortable, take yourself out of it and see what happens in the encounter. She did this beautifully because her ego wasn’t invested in it.

You can see four more photos by Rosskam of the Vergennes common by clicking on ‘Continue reading’ below.


*All via the Library of Congress Prints and Photographs Division.

†Vergennes is actually a city — the first chartered in Vermont and currently its smallest (in population). It is approximately 2.5 sq. miles in area.

Bloom Day in May: Mugongo

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My parents were visiting us last week, and we took an overnight trip to the north of Rwanda. We made a stop at Mugongo, the former home and plantation of long-time American resident Roz Carr, who founded Imbabazi Orphanage in 1994, reworking her old farm buildings.

You can read about Roz’s life in Rwanda, from 1949 to 2006, here.

The long English-style flower borders looked particularly colorful as we near the end of the rainy season. Among the many plants blooming were calla lilies, hybrid tea roses, crocosmias, cannas, calendulas, fuchsias, violets, ageratum, hydrangeas, borage, sedum, Santa Barbara and Shasta daisies, azaleas, irises, dahlias, begonias, and day lilies.

It is a credit to Roz’s good strong design and to the continuing dedication of the gardeners she trained that the garden is still so beautiful, almost eight years after her death.

Click here for more information about the Imbabazi Foundation and how to visit the Mugongo garden.

You can scroll through more (and larger) photos by clicking on ‘Continue reading’ below and then on any of the thumbnail images.

Thanks to Carol of May Dreams Gardens for hosting Garden Bloggers’ Bloom Day (the 15th day of every month). Continue reading “Bloom Day in May: Mugongo” →

The Sunday porch (on Monday)

Today, I’m repeating a porch from August 2012, but it is a nice one. (We were traveling this weekend.)

The Sunday porch/enclos*ure: Maplewood Camp, Waseca, Minn., c. 1900, Library of Congress“Cottages at Maplewood [Waseca, Minnesota],” c.1880-c.1899. By Detroit Publishing Co., via Library of Congress Prints and Photographs Division.*

Maplewood Park on Clear Lake was a national vacation attraction at the end of the nineteenth century. (Click on any image to enlarge it.)

The Sunday porch/enclos*ure: Maplewood Camp, Waseca, Minn., c. 1900, Library of CongressAbove: Maplewood’s pavilion for Chautaquas. From the 1870s to 1920s, the Chautaqua movement brought speakers and companies of musicians, dancers, and actors to camps like Maplewood for up to a week at a time.

The Waseca Historical Society still hosts a Chautaqua at Maplewood Park every July.

To read about a similar sort of summer cabin living, which also continues today, see this 2012 New York Times article, here.

The Sunday porch/enclos*ure: Maplewood Camp, Waseca, Minn., c. 1900, Library of CongressAbove: the view of Clear Lake from Maplewood.


*All photos here: c.1880 – c.1899, by Detroit Publishing Co., via Library of Congress Prints and Photographs Division.

Vintage landscape: Hawthorne Lane

Vintage landscape/enclos*ure: Hawthorne Lane, Mass., early 20th c., via Library of CongressHawthorne Lane, East Gloucester, Massachusetts, between 1900 and 1920, by Detroit Publishing Co., via Library of Congress Prints and Photographs Division.

The signs on the tree: Direct to Hawthorne Inn (to the right), A.P.T. deHaas Gate Lodge (to the left), and Miss Willard’s Studio.