“Blooming Hope” (also called “Cedar Walk”), Williamsboro, North Carolina, 1938, by Frances Benjamin Johnston, via Library of Congress Prints and Photographs Division.
I like the way the vines are a little blurry from a sudden gust of wind.
The home may have been built as early as the 1750s by a Hutchins (or possibly Robert) Burton, who called it “Blooming Hope.” He may have operated a boarding school there. It also seems to have served as an academy for young ladies later in the early 1800s, run by the Rev. Henry Patillo. At some point in its first 100 years, there was a suicide in the house (either Burton or Patillo’s son), and it acquired a reputation as haunted. It was torn down in 1967.
Six sisters from Ytre Eikås, Jølster Commune, Norway, ca. 1930 – ca. 1935, by Olai Fauske, via Fylkesarkivet (County Archives) i Sogn go Fjordane Commons on flickr.
Of course it’s about their flowered dresses, aprons, and blouse. For a much closer look, click here and then on the flickr page image.
The sisters are Anne, Johanna, Synneve, Inga, Ragna, and Kristina. In 1936, Kristina emigrated to the U.S. (The two girls in front are unidentified.)
The photographer, Olai Fauske, worked all around the Sunnfijord district, which included Jølster. He sold his photos and postcards not only locally, but to people who had emigrated from the area to the U.S. and then wrote back to him requesting pictures of home.
His childhood friend Alfred, for instance, longed to see Erviki in all its summer glory: “When June comes I believe it wouldn’t be such a bad idea to try and get a picture of Erviki, when all the hills are green and the waterfall quite big. I liked that the best. . .,” he wrote in a letter to Fauske in 1909.
— notes on flickr album of Fauske’s photos
Fauske’s photo archive is now part of the County Archives of Sogn go Fjordane.
Two men and the photographer’s son, Anton, blandt blomar (among flowers), ca. 1910, by Paul Stang, via Fylkesarkivet (County Archives) i Sogn go Fjordane (Norway) Commons on flickr.
“La Tombe des Coloniaux, a heart of grass, near Gerbéviller,” April 28, 1915, by Georges Chevalier, via Archives of the Planet Collection – Albert Kahn Museum /Départment of Hauts-de-Seine.
This seems to be the grave of a soldier (or perhaps soldiers) from one of the French Colonial Infantry Regiments. He probably fell in the Battle of Lorraine about seven or eight months before the photo was taken. Such men, called “Marines,” were recruited from both France and the white settler and indigenous populations of the French colonial empire.
The town of Gerbéviller itself had been caught in the same battle’s crossfire. German troops had systematically burned over 400 houses and killed over 60 inhabitants. It became “Gerbéviller-la-Martyre” in the press and a kind of pilgrimage site.
Today, there are both French and German WWI cemeteries in Gerbéviller.
This autochrome is one of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.
*words of Albert Kahn, 1912. Also, the above photo (A 5 344) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.
“In the Domain Gardens,” Auckland, New Zealand, 1913, an autochrome by Robert Walrond, via Museum of New Zealand (Te Papa Tongarewa).
Some Monday morning color. . .