Vintage landscape: brick walk

genthe autochrome, steps, via LoC
“Women on the steps of a multi-story white building with dark timbering,” between 1906 and 1942 (I think before 1920), an autochrome by Arnold Genthe, via Library of Congress Prints and Photographs Division.

The small size of the digital copy of this image makes it difficult to be sure whether the walk areas are brick (like the steps). But I believe they are. (They could be something like decomposed granite.) I love how the tree has been preserved as part of the space.

The Sunday porch: Centerville, Calif.

Japanese-American grandmother on porch 1942, U.S. National Archives“Grandmother of farm family awaits evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration,” May 9, 1942, by Dorothea Lange for the U.S. War Relocation Authority, via U.S. National Archives on flickr.

Centerville is a community in northern California. All along the Pacific coast — from 1942 to January 1945 — over 110,000 people of Japanese heritage were forced into internment camps.  Sixty-two percent were American citizens.

In 1988, in the Civil Liberties Act, the U.S. Government admitted that its actions had been based on “race prejudice, war hysteria, and a failure of political leadership.”

Life in gardens: not always happy

Two sisters, 1927, Library of New South Wales, flickr

Elizabeth Jolley and sister Madelaine Winifred (having a good cry) in a garden, probably in the English Midlands, 1927, photographer unknown, via State Library of New South Wales on flickr.

Monica Elizabeth Jolley was an English-born author who moved to Western Australia in the late 1950s. In the photo above, the girls were about 5 and 4 years old.  Check out Madelaine’s bunny slippers.

Life in gardens: Foix, France

Balcon aux rosiers, chalet de E. Trutat, Foix, c. 1903, Library of ToulouseTwo women and a young boy next to a balcony of roses at the Trutat chalet, Foix in the Midi-Pyrénées of France.

The autochrome was taken ca. 1903 by Eugène Trutat, via Bibliothèque de Toulouse Commons on flickr.

Look, Delia, how w’ esteem the half-blown rose
The image of thy blush and summer’s honour.  .  .

— Samuel Daniel, from “Delia 31