Vintage landscape: country home

Country Home, 1904, Library of Congress“Bird’s-eye view of a new home in the country, with formal and vegetable gardens, carriage house, windmill, and farm animals,” ca. 1904, by H.M. Smyth Printing Company (Saint Paul, Minnesota), via Library of Congress Prints and Photographs Division.

Early 20th century farmhouse chic, only $$2,500.

Detail, The Country Home
Detail

I’m wondering about the white shapes in rows to the right of the house. What are they? Beehives?

The winter garden: Parmelee house

Washington conservatory, Library of CongressThe conservatory of “The Causeway,”  or James Parmelee house, Northwest Washington, D.C., 1919, by Frances Benjamin Johnston, via Library of Congress Prints and Photographs Division.

The estate has also been called Twin Oaks and Tregaron.  Its 1912 house still stands, and some of the land is a campus for the Washington International School.

James Parmelee was a Cleveland financier and co-founder of the National Carbon Company.

More winter gardens are here.

The Sunday porch: St. Mary’s County

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“Lynch Farm, St. Mary’s County, Maryland,” 1936 or 1937, by Frances Benjamin Johnston, via Library of Congress Prints and Photographs Division.

You can scroll through over a year’s worth of Sunday porches here.
Continue reading “The Sunday porch: St. Mary’s County”

Vintage landscape: the old bell

Old bell as flowerpot, Georgia, HABS, LoCOld farm bell as planter, Oglethorpe County, Georgia, May 1936, by L.D. Andrew, via Historic American Buildings Survey (HABS), Library of Congress Prints and Photographs Division.

Have a happy 2015!

Frozen in vines

C. Highsmith cabin with vines, LoC 2Monroe County, Alabama, May 2010, by Carol M. Highsmith, via The George F. Landegger Collection of Alabama Photographs in Carol M. Highsmith’s America, Library of Congress Prints and Photographs Division.

The infrared treatment of the late spring scene gives it a wintery appearance.

Highsmith has specialized in photographing America’s architectural heritage. She has donated the rights to her work to the Library of Congress for copyright free access for all.