The Sunday porch: Hill End


“Two women on veranda of rendered* cottage with shingle roof and front garden, Hill End, New South Wales, ca. 1872,” by Charles Baylissvia National Library of Australia Commons on flickr.

Hill End was a gold rush town. At the time of this photo, “it had a population estimated at 8,000 served by two newspapers, five banks, eight churches, and twenty-eight pubs,” according to Wikipedia. The rush was over by the early 20th century. In 2006, the town was down to 166 people.

The photographer came to Hill End as an assistant to a traveling photographer who had been contracted to take pictures of the area that could be used to advertise the mining colony and attract new residents.


*Render is stucco.

The Sunday porch: County Armagh

Bridget and Maynard Sinton at their family home of Ballyards, County Armagh, June 17, 1921, by H. Allison & Co. Photographers, via Public Record Office of Northern Ireland Commons on flickr.

That retractable striped awning emerging from the terrace roof looks very sleek and was brand new.  A ca. 1920 photo of the house in this biography of the children’s father shows the terrace with no cover. (You can read a brief history of awnings here.)

Ballyards was built in 1872 and sold to the father, a linen manufacturer, in 1908. He almost doubled its size and called it “Ballyards Castle.”

The children playing in a sandpile. (This photo has been printed in reverse from the others.)

Maynard was killed in WWII, but Bridget (age 7 in these photos) lived until 1975.

The Sunday porch: Estero, Florida


“Tent house on Koreshan property in Estero, Florida,” 1895, via Koreshan Unity Collection, Florida Memory Commons on flickr (State Library and Archives of Florida).

The Koreshan Unity was a late 19th and early 20th century utopian community whose members believed in a god that was both male and female, as well as in reincarnation, celibacy, collectivism, equality of the sexes, and cellular cosmogony.* It was founded by Cyrus Teed in upstate New York in the 1870s, and later there were also followers in Chicago and San Francisco. In 1894, the community began moving to a donated 320-acre property in Estero, Florida. During the next decade, it purchased over 5,000 additional acres and began building a settlement that “included a sawmill, cement works, bakery, machine shop, general store, art gallery, symphony, theater troupe, plant nursery and more,” according to USA Today. Its population peaked at 250 residents between 1903 and 1908; the majority were well-educated middle-class women, seven of whom managed the day-to-day affairs of the commune.

When Teed died in 1908 — and his body was not resurrected as he had promised — the commune began to decline; there were 10 members left in 1948. The last Koreshans deeded the site of its village to the state of Florida in 1961. It is now a state park.


*”Among the most interesting beliefs of Koreshan Unity was the cellular cosmogony, or the hollow earth,” according to Florida Memory.  “According to the cellular cosmogony, the earth was not a convex sphere but instead a hollow, concave cell containing the entire universe with the sun at its center and Earth’s populace living on the inside surface of the hollow cell.”

The Sunday porch: Cherry Spring, Texas

North (back) side of Rode-Kothe House, Cherry Spring, Gillespie County, Texas, May 29, 1936, by Richard MacAllister for an Historic American Buildings Survey (HABS), via Library of Congress Prints and Photographs Division (all three photos).

South (front) side of house.

The HABS says the limestone house was at least partly built in 1855 by German immigrant Dietrich Rode. (He completed it in 1879.) Rode was one of the founders of nearby Fredericksburg, as well as Cherry Spring.  He was also a lay Lutheran minister and a teacher, first in his students’ homes at night and then on the second floor of his ranchhouse shown here.

Detail of front porch.

The house may still stand near Christ Lutheran Church, which Rode helped found, but I cannot find a current picture of it.

The HABS says the building was “[s]ited to dominate its surroundings.”

The Sunday porch: Dallas, North Carolina


Mason House, near Dallas, North Carolina, 1938, by Frances Benjamin Johnston, via
Library of Congress Prints and Photographs Division.

A narrow porch for a narrow house. I think those are cannas at the bases of the columns.

This picture was published in The Early Architecture of North Carolina by Johnston and Thomas Tileston Waterman in 1941, but I can’t find out anything else about the building.