“Sommer,” between 1910 and 1933, by Inga Breder, via Preus Museum Commons on flickr.
Inga Breder, was born in Bodø, Norway, in 1855. As an adult she lived in Oslo (then Kristiania) and became an amateur photographer, competing in and judging competitions.
Gerald Brocklesby of Blackburn (near Melbourne), Australia, jumps over the sprinkler in his family’s backyard, January 17, 1953, via Museum Victoria.
The photo was contributed by Mr Mark Brocklesby as part of the museum’s Melbourne’s Biggest Family Album project in 2006.
Fair seed-time had my soul. . .
— William Wordsworth, from “The Prelude“
It’s the first day of the last month of summer.
In observance of this moment, you might want to put on something gauzy, go outdoors, and cavort {gambol, caper, dance, frisk, frolic, rollick, romp, leap and skip about playfully} — as many were apparently wont to do in the first decades of the 20th century.
These performers were certainly influenced by American dancer Isadora Duncan, who, by 1900, was performing and teaching a “natural” modern dance. “With free-flowing costumes, bare feet, and loose hair, she took to the stage inspired by the ancient Greeks, the music of classical composers, the wind and the sea,” according to the Isadora Duncan Dance Foundation.
All photos here via Library of Congress Prints and Photographs Division, except for “Sisters of the Sun,” which is via Shorpy.
What mattered in Isadora’s Hellenic dances was not the Greek themes or the gauzy costumes, but the uninhibited vitality, the sense of a glorious nakedness.”
— Lewis Mumford, 1905
enclos*ure 