Tokyo, Japan

Horikiri Iris Garden, Tokyo, Japan, June 1926, by Roger Dumas, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine (all photos here).

Horikiri Shobuen is one of the oldest iris gardens in Japan. It was probably created by a local flower farmer, Kodaka Izaemo, in the late 17th century. By the early 19th century, it had become a popular destination for sightseers during the Hanashōbu or Iris ensata bloom-time in early June.

In 1900, there were five iris gardens in the swampy land of Tokyo’s Horikiri district — all producing bulbs for export to Europe and the U.S. However, demand was declining by the time these pictures were taken, and the area’s last two iris gardens converted to vegetable plots during World War II.

In 1960, the site of the Kodaka iris garden was replanted and opened to the public. Today, its 6,000 iris plants — from 200 cultivars — are the focus of an Iris Festival held every year from May 30 to June 18.

The autochromes above are four of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*words of Albert Kahn, 1912. Also, the above photos (A 55 771 S, A 55 776 S, A 55 775, A 55 772 X) are © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.

Nara, Japan


Kasuga-jinja (or Kasuga-taisha) Sanctuary and wisteria, Nara, Japan, Spring 1926, by Roger Dumas, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine (all three photos here).

The Shinto shrine (first built in 768 A.D.) is famous for its thousands of bronze and stone lanterns. It is located on the edge of Nara Park, home to freely roaming deer said to be messengers of the gods.

Temple of lanterns, Japan, A68700X, Musee Albert-Kahn, Archives de la Planete

The autochromes above are three of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*words of Albert Kahn, 1912. Also, the above photos (A 70 757 X, A 70 758 X, A 68 700 X) are © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.

A lady’s paradise


“The property of Madame Douine, Cap Martin, France,” January 1923, by Roger Dumas, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine (both photos).

If you watched The Paradise (2013) on either BBC America or Masterpiece and wondered what happened to Denise after the series ended . . . well, perhaps it was this.

The series was based on Au Bonheur des Dames (The Ladies’ Paradise) by Émile Zola. It is novel about a saleswoman in one of the grand Paris department stores — Denise — who eventually marries the store’s owner. Her story mirrored the real life of Cyprienne Dubernet, a saleswoman at Grand Magazins du Louvre who married the owner, Olympe Hériot, in 1887.*

Cyprienne in her garden.

In 1909, Cyprienne — now widowed and re-married to Roger Douine — decided to build a villa in Cap Martin on the French Riviera. Her architect designed a Neo-Byzantine house inspired by her travels to Naples, Smyrna, Cairo, Jerusalem, and Constantinople. She named it “Villa Cypris” in tribute to the Greek goddess of love and her own name. Italian painter Raffael Mainella designed the interiors and the garden, which included a stone bridge along the seafront, a cloister, a “Venetian Sanctuary,” a Mauritanian pergola, and sunken Dutch-style parterres with a canal/swimming pool.

You can see more pictures of the estate here, on its website (it seems to be for sale). There’s a video here

The autochromes above are two of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”† The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here (search “Madame Douine” to see more of Villa Cypris).


*It seems doubtful that Cyprienne (born just plain Anne Marie) was the direct inspiration for Denise, as the novel was published in 1883. She and Olympe had at least one (maybe two) of their four children before their marriage. Their oldest son, Auguste, was an inspiration for the main character of Colette’s novel Cheri. Cyprienne died in 1945.

words of Albert Kahn, 1912. Also, the above photos (A 71 795 and A 38 390 X) are © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.

Life in gardens: Aoyama

Ecole d'Aoyama, enfants et balançoires, Tôkyô, Japon, été 1926, (Autochrome, 9 x 12 cm), Roger Dumas, Département des Hauts-de-Seine, musée Albert-Kahn, Archives de la Planète, A 55 945 XA very nice playground at a school in Aoyama, a neighborhood of Tokyo, summer 1926, by Roger Dumas, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine.

This autochrome is one of about 72,000 that were commissioned and then archived by Albert Kahn, a wealthy French banker who was committed to the ideal of universal peace and believed that “knowledge of foreign cultures encourages respect and peaceful relations between nations.”* He was also acutely aware that the 20th century was going to bring rapid material change to the world.

Accordingly, from 1909 to 1931, Kahn sent thirteen photographers and filmmakers to 50 countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”†  The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*Collections Albert Kahn website. Also, the above photo (A 55 945 X) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.
†words of Albert Kahn, 1912.