The Sunday porch: Frankfurt

Full view 1, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure“Big Trees” (Pohon Besar) by Joko Avianto of Indonesia, on the facade of the Frankfurter Kunstverein (Frankfurt Art Club), Frankfurt, Germany.

left view, Frankfurter Kunstverein, Frankfurt, 2016, enclos*uree

The sculpture was created in 2015 for the exhibition Roots: Indonesian Contemporary Art at the Kunstverein.

Full view 2, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure

detail1, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure

detail6, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure

[“Big Trees”] consists of 1525 woven stalks of bamboo imported from plantations in West Java.  Bamboo is historically associated with traditional craft. . . .   [Avianto] borrows and reinterprets traditional Sundanese (West Java) weaving techniques to construct his exaggerated sculptural forms.  His innovative process of breaking the long compact fibres of the columns between each node of the bamboo stalk makes it pliable while maintaining its strength.  This allows for the bamboo to be manipulated, bent and woven into soft curvilinear lines.  An underlying concern for Avianto is the changing socio-economic and cultural values associated with bamboo cultivation.  This includes the decline of village owned and cultivated bamboo forests in West Java due to a new wave of global industrialisation, and the aggressive monoculture of the palm oil industry.

— from the sculpture’s label at the Kunstverein

You can watch a 4 1/2 minute video of its construction here.

detail3, Frankfurter Kunstverein, Frankfurt, 2016, enclos*uree

And from a hill,
The earth is masses
Of cane, bamboo,
And other grasses.

— Donald Hall, from “Bamboo

The Sunday porch: Independence Ave.

Independence Ave., Washington, D.C. G. Parks, Library of CongressUpper porch of a house being torn down on Independence Avenue, S.W., Washington, D.C., June 1942, by Gordon Parks for the Farm Security Administration – Office of War Information, via Library of Congress Prints and Photographs Division.

This picture is one of a series taken by Parks documenting the “demolition of private property along Independence Avenue opposite the Smithsonian Institution. . . to make way for government housing.”

Today the location is filled by some particularly unappealing government office buildings, built during the 1960s.

Up — or out? — here:
a problem of preposition,

my uneasy relation
with the world. Whether I’m

above it or apart. . . .

Jameson Fitzpatrick, from “Balcony Scene

The Sunday porch: pots and pans

Girl on Porch, D. Ullman, Library of CongressGirl seated at the end of a porch,” ca. 1930, by Doris Ulmann, via Library of Congress Prints and Photographs Division.

A well-to-do New Yorker, Doris Ulmann trained as an art photographer with Clarence H. White in the 1910s. In the 1920s, she began traveling to the southeastern United States to photograph rural people, particularly in the hills of Kentucky and the Sea Islands of South Carolina — people “for whom life had not been a dance.” She also documented Appalachian folk arts and crafts, working with musician and folklorist John Jacob Niles.

The Sunday porch: Piazza San Marco

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On Monday. . . running a little late this week.

We spent December 23 to 27 in Venice, Italy. The photos above show the arcades along Piazzetta di San Marco and Piazza San Marco on Christmas and on Boxing Day (in fog).

The current colonnaded buildings enclosing the square on three sides (and the west side of the Piazzetta) were built in the 16th century.  Their arcades front a number of coffee houses, including two of the oldest and most famous in Italy: Florian (1720) and Gran Caffè Quadri (1775).

Of course, we had due caffè espresso at Florian, which was easily possible because tourists are far fewer during Christmas week. The coffees were €6.50 each, but they were very good (and there was a cookie and water).

(The water carafe was adorable, and I now regret that I didn’t buy one and hold it on my lap on the plane.  I’m very tempted to order it from their website. Also, check out the wonderful terrazzo floor at their entrance here; I forgot to take a photo of it.)

To scroll through more (and larger) images, click on ‘Continue reading’ and on any thumbnail in the gallery.

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The Sunday porch: South Dakota

South Dakota, 1940, J. Vachon, Library of CongressPierre, South Dakota, 1940, by John Vachon, via Library of Congress Prints and Photographs Division.

In the bleak midwinter, frosty wind made moan,
Earth stood hard as iron, water like a stone;
Snow had fallen, snow on snow, snow on snow,
In the bleak midwinter, long ago.

— Christina Rossetti, from “In the bleak midwinter