“Still life with motifs of tulips,” by John Hertzbert, an autochrome made between 1904 and 1935, via Tekniska Museet (Sweden) on flickr (used under CC license).
This lantern slide was used in photography class lectures at the Royal Institute of Technology in Stockholm.
Part of the formal garden of the Château de Fontainebleau, with the Grand Canal barely visible in the distance, Ile-de-France, France, between 1914 and 1925. This is a glass lantern slide by Williams, Brown & Earle, Inc., via Archives of American Gardens, Garden Club of America Collection, Smithsonian Institution (used here by permission).
The Archives holds over 60,000 photos and records documenting 6,300 historic and contemporary American gardens. At its core are almost 3,000 hand-colored glass lantern and 35mm slides donated by the Garden Club of America, which is the source of this image.
(Click on the picture to enlarge it.)
Pergola covered in wisteria and ivy in a garden of Villa Palmieri, Florence, ca. 1915, from the Arthur Peck Collection, via Oregon State University (OSU) Special Collections & Archives Commons on flickr.
The 14th century Villa Palmieri is credited with being the story-telling setting for Boccaccio’s Decameron.
To see this garden, its handsome ordering, the plants, and the fountain with rivulets issuing from it, was so pleasing to each lady and the three young men that all began to affirm that, if Paradise could be made on earth, they couldn’t conceive a form other than that of this garden that might be given it.
However, the garden was completely restructured in 1697 and then partially redesigned several times thereafter, according to current fashions, through to the 1920s.
Since 1986, the villa has been owned by the Italian government and houses part of the European University Institute.
Arthur Peck was a Professor of Landscape Architecture at the Oregon Agricultural College from 1908 to 1948. During his long career, he created a teaching library of 24 boxes of glass lantern slides — now in OSU’s archives.
A forester’s cottage, Ferntree Gully, Dandenong Ranges, Victoria, Australia, ca. 1900, a glass lantern slide by Archibald James Campbell, via Museums Victoria Collections.
I like the two log pillars at the bottom of the steps, each topped by a potted plant.
During the 19th century, the forests of the Dandenong mountains were a major source of timber for Melbourne.
A repeat post from 2013. . .
Unidentified garden in Grosse Pointe, Michigan, 1930, photographer unknown, via Archives of American Gardens, Smithsonian Institution Commons on flickr.
Thence thro’ the garden I was drawn—
A realm of pleasance, many a mound,
And many a shadow-chequer’d lawn. . . .