Front porch of a farmhouse ready for Halloween, near Elderon, Wisconsin, 1994, by John N. Vogel for an Historic American Building Survey (HABS), via Library of Congress Prints and Photographs Division.
The HABS noted the house’s “prominent front porch with Tuscan columns and hipped roof” and called it “a good example of the Gabled Ell form” of Wisconsin vernacular architecture. There are wider views here.
Farmhouse porch with plants in painted lard buckets, Morehead, Kentucky, 1940, by Marion Post Wolcott for U.S. Farm Security Administration/Office of War Information, via Library of Congress Prints and Photographs Division.
I wish we could see the colors of the painted* containers.
Two special supports were built along the front of the porch to display the plants. (There’s a third view of the house here.)
*Here, here, and here are examples of 1930s interior paint color combinations.
A repeat porch from October 2013. . .
Nicholas County, Kentucky, November 1940, by John Vachon, via Library of Congress Prints and Photographs Division.
What frills attached to such a simple farmhouse and yard.
Her dress goes with the house and her curls with the porch.
Farmhouse on Michaux Plantation, Danville area, Virginia, 1935, by Frances Benjamin Johnston, via Library of Congress Prints and Photographs Division. (There are two more views here.)
I could not find out when this simple house* was built or if it still exists. It is somewhat similar to this house in the same area, which Johnston’s notes say was built between 1776 and 1850.
Michaux was one of eleven plantations in southern Virginia owned by the Hairston family, one of the largest slaveholders in the South. Its name probably indicates that the land was also once owned by a member (this one?) of the local branch of the Michaux family.
This is the kingdom that you find
When the brave eye-holes stare
impartially against the air. . .
— Joy Davidman, from “Stark Lines-Resurrection”
*It reminds me of the old house or schoolhouse quilt block pattern.
A farmhouse of To (or Ter) Coulster, in the town of Heiloo, Netherlands, 1815, by J. A. Crescent, via Regionaal Archief Alkmaar Commons on flickr.
You can click on the image to enlarge it. There are more of Crescent’s charming watercolors here.
A garden is the interface between the house and the rest of civilization.
— Geoffrey B. Charlesworth