Edmonton, Alberta

Gladys Reeves and father, W.P. Reeves, ca. 1940, vía Provincial Archives of Alberta Commons on flickr.

Gladys Reeves immigrated from England to Alberta with her family when she was 14 years old. A year later, she began working for photographer Ernest Brown as a receptionist and later as an apprentice. In 1920, she set up her own studio, The Art League, in Edmonton. She may have been the first woman in the region to operate her own photography business — which she ran until 1950. She was also a serious gardener and won a medal for best garden in the city in 1907.

You can click on the picture to get a larger view.

Tilba Tilba portrait

“Charlie Ferguson’s sister,” Tilba Tilba, New South Wales, ca. 1895, by William Henry Corkhill, via Trove of the National Library of Australia.

I love this formal pose in front of a vegetable garden — and it’s very typical of the photographer’s work.

“Charlie Ferguson and William (Wallaga) Arthur Mead with an unidentified man. Click to enlarge.

Corkhill was an amateur who took thousands of pictures of his prosperous dairy farming community between 1890 and 1910.

His images were rediscovered in 1975, when his daughter gave his surviving glass plate negatives to the National Library. Among the 840 that could still be printed were portraits of family and neighbors of a “special intensity and intimacy,” according to the book, Taken at Tilba.

For the natural light, Corkhill had to work outside, in gardens and farmyards. But he often posed his subjects as if they were in a studio, with small tables, chairs, and books. His backdrops were sometimes shrubs and flowers, but he also seemed satisfied with rough fences, water tanks, or the space between two farm sheds. Occasionally, the sitters look a little amused by the process, but the photographer’s approach is not ironic.

“Corkhill’s familiarity with and affection for his subjects is evident . . . and imbues his photographs with a strange combination of authority and informality. He has a rather casual approach to the backgrounds in his portraits, as if his familiarity with the scenes he records makes him impervious to some of their oddities,” according to his biography on the Library’s website.

You can click on the linked titles below to see more of his pictures, or you can browse through the online catalog here.

Woman with a dog
Woman by a cane table
Daisy Mead
Boy by a chair
Mrs. Elizabeth Kendall Bate, aged about 83
Man sitting in a garden
Two young men
Frank Stanley Griffiths
Corkhill’s wife and their children
Byrnes family
Young woman by a table
Two children
Two young men

Life in gardens: Knoxville, Tennessee

dodson-front-yard-knoxville-tn-1899-library-of-congress“Home of C.C. Dodson, Knoxville,” Tennessee, ca. 1899, via African American Photographs Assembled for 1900 Paris Exposition collection, Library of Congress Prints and Photographs Division.

Dodson was a jeweler who owned a shop on West Vine Avenue in 1899. ‘Exuberant’ is the word I would use for his family’s front yard.

The photos collected by W.E.B. Du Bois for the 1900 Paris international exhibition particularly featured middle-class African Americans and their homes and institutions. “The photographs of affluent young African American men and women challenged the scientific ‘evidence’ and popular racist caricatures of the day that ridiculed and sought to diminish African American social and economic success,” according to the Library of Congress’s online catalogue.

In 2003, the Library of Congress published a book of 150 of the images, entitled A Small Nation of People.  You can listen to a good NPR interview with its co-author, historian Deborah Willis, here.