Münster gardens, Basel

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The simple garden behind the Münster of Basel, Switzerland, features a bronze replica of the church and its cloisters.

The building — constructed from the 13th century to 1500 — was originally a Roman Catholic cathedral and is now a Reformed Protestant church.

To scroll through larger versions of the photos, click on ‘Continue reading’ below and then on any thumbnail in the gallery.

The harp at Nature’s advent strung
Has never ceased to play;
The song the stars of morning sung
Has never died away. . . .

The blue sky is the temple’s arch,
Its transept earth and air,
The music of its starry march
The chorus of a prayer.

So Nature keeps the reverent frame
With which her years began,
And all her signs and voices shame
The prayerless heart of man.

— John Greenleaf Whittier, from “The Worship of Nature

Vintage landscape: the benches

“Roominghouse district, Washington,” a Kodachrome slide by Charles W. Cushman, mid-September 1940.*

In the two years leading up to the U.S. entering World War II, the population of Washington, D.C., went from 621,000 to over 1,000,000, according to journalist David Brinkley.

Most of the new arrivals were women, many of whom were hired “before they had even found a place to leave their bags.”  Thousands of townhouses were turned into roominghouses and several women shared each room.  (According to one of them, Enid Bubley,  it was “social suicide” to violate the morning schedule of eight minutes each in the bathroom.)

By 1941, Malcolm Cowley described the city this way:  “Washington in wartime is a combination of Moscow (for overcrowding), Paris (for its trees), Wichita (for its way of thinking), Nome (in the gold-rush days) and Hell (for its livability).”

So the two or three benches placed in each little yard above are significant. They were undoubtedly places of real reprieve from the crowded conditions inside the houses and the chaos of the city.

These gardens still have their wrought iron fences.  During the war, the metal was much needed, and many D.C. residents gave up their black railings for wooden pickets.

The photographer, Charles Cushman, was a talented amateur who traveled across the U.S. and other countries and took more than 14,500 Kodachrome slides from 1938 to 1969.  He bequeathed his images to Indiana University, his alma mater.

*Used with the permission of  the Charles W. Cushman Photograph Collection of the Indiana University Archives.  Please do not “pin” or re-blog without contacting them here.