“Good enough Farm House in Hood River, [Oregon]: View from front yard,” undated, via Arthur Peck Photograph Collection, OSU Special Collections and Archives Commons on flickr.
Arthur Peck was a Professor of Landscape Architecture at the Oregon Agricultural College from 1908 to 1948. This picture was part of his teaching library of 24 boxes of glass lantern slides — now in OSU’s archives.
It is not clear whether “good enough” was his critical evaluation or the name of the farm.
A family in front of their Pennsylvania home, between 1890 and 1901, by The United States View Company, via Library Company of Philadelphia Commons on flickr.
The United States View Company of Richfield, Pennsylvania, was established in the 1890s. Like several similar businesses — as well as hundreds of independent itinerant photographers — its employees traveled to small towns and took pictures of people posing in front of their homes or other local landmark buildings.
Click on the image above to enlarge it.
Spielhaus Garden, University of Hohenheim, Stuttgart, last August.
Elizabeth and Marilyn Watson, probably in the Berkeley, California, area, 1921, by Dorothea Lange, via Museum of Photographic Arts Commons on flickr (both photos).
Above, Marilyn Watson; in both photos, the sisters seem to be under a grape arbor. Below, they are with their mother, May V. Landis Watson, still outdoors, I believe.
In 1921, Lange was 26 years old and running her own portrait studio in Berkeley. She had many well-to-do clients, as the Watsons appear to be. Ten years later, she would begin the work that made her famous: capturing the faces of the Great Depression and of the WWII internment of Japanese-Americans.
There’s a little clip from a PBS documentary on Lange here. It shows a number of her early photographs.
“Lady Elisabeth’s Rose Garden, Lacock [Abbey], England,” early 1840s, by William Henry Fox Talbot, via Museum of Photographic Arts Commons on flickr (both photos).
Lady Elizabeth Fox-Strangways Feilding was the photographer’s mother.
Talbot was one of the early fathers of photography. He developed the paper negative and the process of permanently fixing photos on chemically treated paper.
This is the body of light. . . .
— Ronald Johnson, from “BEAM 30: The Garden“