Category: The Sunday porch

The Sunday porch: Paterson, New Jersey

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“Street of homes in the inner city of Paterson, New Jersey,” June 1974, by Danny Lyon for DOCUMERICA, via The U.S. National Archives Commons on flickr (both photos).

Lyon‘s original caption continues: “The inner city today is an absolute contradiction to the Main Stream America of gas stations, expressways, shopping centers and tract homes. It is populated by Blacks, Latins and the white poor. Most of all, the inner city environment is human beings, as beautiful and threatened as the 19th century buildings.”

DOCUMERICA was an photography program of the U.S. Environmental Protection Agency (EPA). From 1972 to 1977, it hired over 100 photographers to “document subjects of environmental concern.” They created an archive of about 80,000 images. In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.

You can see more of Lyon’s photos for DOCUMERICA here.

The Sunday porch: Houston, Texas

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Mexican-American home in Houston, Texas, April 1973, by Danny Lyon for the DOCUMERICA project, via The U.S. National Archives Commons on flickr (all three photos here).

Lyon made a series of 21 black and white photographs in East Texas in 1973. “They document the environments remaining from the 19th century in terms of architecture, commerce and lifestyles,” according to their original captions. “The pictures also compare the contemporary city showing displacement of the unique by the ordinary and noting current urban problems.”

Above: houses in the Fifth Ward, Houston. Click on the images to enlarge them.

DOCUMERICA was an photography program of the U.S. Environmental Protection Agency (EPA). From 1972 to 1977, it hired over 100 photographers to “document subjects of environmental concern.” They created an archive of about 80,000 images.

In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.

The Sunday porch: summer reading

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reading-fonds-1266-item-5873-city-of-toronto-archives“M. Laing reading on porch at Bala, July 29, 1925,” via The Globe and Mail Collections (1266, item 5873), City of Toronto Archives.

‘Bala’ is probably Bala, Ontario, a summer cottage community north of Toronto.

The Sunday porch: shade

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Owings Mills, near Baltimore, Maryland, July 1933, by Frances Benjamin Johnston, via
Library of Congress Prints and Photographs Division (both photos).

Cropped slightly by me.

The Sunday porch: Miami, Florida

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House in Miami, Florida, July 11, 1955, via Florida Memory (State Library and Archives of Florida) Commons on flickr (cropped slightly by me).

Widely available by the 1950s, aluminum awnings were touted as longer-lasting and lower-maintenance than traditional [canvas] awnings. . . . [T]hey were especially popular with homeowners. Aluminum awnings were made with slats called “pans” arranged horizontally or vertically. For variety and to match the building to which they were applied, different colored slats could be arranged to create stripes or other decorative patterns.

— U.S. National Park Service “Preservation Brief“