The Sunday porch: Belvidere, Illinois

2 Palmer Hse., 1937, HABS, Library of CongressThe Palmer House, Belvidere, Illinois, 1937, by Joseph Hill for an Historic American Buildings Survey (HABS), via Library of Congress Prints and Photographs Division.

1 Palmer Hse., 1937, HABS, Library of Congress

The HABS described the stone portion of the home — built in 1851 — as “severe Greek Revival” and then noted that the front porch was “ornamented with jig-saw wood pat[t]erns which distinguish the building.”

The house is still standing, although the porch has been rebuilt (at half size) as an enclosed porch.

You can see more Sunday porches here.

The Sunday porch: Oxford, Ohio

woman in hat and stole, Miami University“Woman in hat and stole on porch,” Oxford, Ohio, ca. late 19th or early 20th century, by Frank R. Snyder, via Miami University Archives Commons on flickr.

Is her slight Mona Lisa smile about her nice outfit or the photographer? (Click on the image for a larger view.)

Whoever said that money can’t buy happiness, simply didn’t know where to go shopping.
— Bo Derek

The Sunday porch: celebration

Anniversary celebration, Mississippi Dept. of Archives and History“Anniversary celebration” from the Mississippi Department of Archives and History. Unfortunately, the couple’s names, their location, and the date are unknown.

The Luther Hamilton Photograph Collection, from which the picture is taken, contains almost 1,000 photos made or collected by the Luther Myles Hamiltons — Sr. and Jr. — during the first half of the 20th century, principally in and around the town of Crystal Springs, Mississippi.

Click on the image for a larger view — or here.

Let us love nobly, and live, and add again
Years and years unto years. . . .

— John Donne, from “The Anniversary

The Sunday porch: Naples, Florida

Golf course, Naples, FL, 1960 Library of CongressPorch at the Hole in the Wall Golf Club, Naples, Florida, February 16, 1960, by Gottsho-Schleisner, Inc., via Library of Congress Prints and Photographs Division.

The Sunday porch: Frankfurt

Full view 1, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure“Big Trees” (Pohon Besar) by Joko Avianto of Indonesia, on the facade of the Frankfurter Kunstverein (Frankfurt Art Club), Frankfurt, Germany.

left view, Frankfurter Kunstverein, Frankfurt, 2016, enclos*uree

The sculpture was created in 2015 for the exhibition Roots: Indonesian Contemporary Art at the Kunstverein.

Full view 2, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure

detail1, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure

detail6, Frankfurter Kunstverein, Frankfurt, 2016, enclos*ure

[“Big Trees”] consists of 1525 woven stalks of bamboo imported from plantations in West Java.  Bamboo is historically associated with traditional craft. . . .   [Avianto] borrows and reinterprets traditional Sundanese (West Java) weaving techniques to construct his exaggerated sculptural forms.  His innovative process of breaking the long compact fibres of the columns between each node of the bamboo stalk makes it pliable while maintaining its strength.  This allows for the bamboo to be manipulated, bent and woven into soft curvilinear lines.  An underlying concern for Avianto is the changing socio-economic and cultural values associated with bamboo cultivation.  This includes the decline of village owned and cultivated bamboo forests in West Java due to a new wave of global industrialisation, and the aggressive monoculture of the palm oil industry.

— from the sculpture’s label at the Kunstverein

You can watch a 4 1/2 minute video of its construction here.

detail3, Frankfurter Kunstverein, Frankfurt, 2016, enclos*uree

And from a hill,
The earth is masses
Of cane, bamboo,
And other grasses.

— Donald Hall, from “Bamboo