“Women on the steps of a multi-story white building with dark timbering,” between 1906 and 1942 (I think before 1920), an autochrome by Arnold Genthe, via Library of Congress Prints and Photographs Division.
The small size of the digital copy of this image makes it difficult to be sure whether the walk areas are brick (like the steps). But I believe they are. (They could be something like decomposed granite.) I love how the tree has been preserved as part of the space.
Two women and a young boy next to a balcony of roses at the Trutat chalet, Foix in the Midi-Pyrénées of France.
The autochrome was taken ca. 1903 by Eugène Trutat, via Bibliothèque de Toulouse Commons on flickr.
Look, Delia, how w’ esteem the half-blown rose
The image of thy blush and summer’s honour. . .— Samuel Daniel, from “Delia 31“
Roadside view from Smiley Heights, Redlands, California, between 1898 and 1905, a photochrom by Detroit Photographic Co., via Library of Congress Prints and Photographs Division.
(Click on the image to enlarge it.)
Alfred and Albert Smiley — twin brothers — were wealthy New York hotel owners who came to California in their sixties:
In 1889, while in California, the brothers became so impressed with the beautiful scenery and surroundings of Redlands that they purchased for a winter home 200 acres of the heights south of the town, through which tract they caused to be constructed a beautiful series of roads, both for driving and walking, and on the summit and along the northern declivities started a thousand or more species of rare plants and flowers of such varieties as flourish in this semi-tropical climate. Each of the brothers erected a beautiful and substantial residence on the crest of the hill. This property called the Canon Crest Park, commonly known as Smiley Heights, was thrown open to the public and the park has become famous throughout the land, being visited by thousands of Eastern tourists annually.
History of San Bernardino and Riverside Counties (1922) by John Brown, Jr., and James Boyd
The Smiley estate is now “covered by McMansions,” according to this article about Redlands in The Atlantic.
Below the garden the hills fold away.
Deep in the valley, a mist fine as spray,
Ready to shatter into spinning light,
Conceals the city at the edge of night.
Man and woman work in front of a joint sod hut covered in grass and flowers, near the village of Vestre Jakobeselv, Norway. Taken 1900 by Ellisif Rannveig Wessell, via Preus Museum Commons on flickr.
Living in Finnmark, in the far northeastern part of Norway, Wessel photographed the hard lives of its rural poor. The Preus Museum — Norway’s national museum of photography — compares her to Jacob A. Riis and Lewis Hine.
She developed her own glass plates and used sunlight to make her prints.
Warm summer sun,
Shine kindly here,
Warm southern wind,
Blow softly here.
Green sod above,
Lie light, lie light.
Good night, dear heart,
Good night, good night.— Mark Twain, “Warm Summer Sun“
Out of the cradle endlessly rocking. . .
“American dreams at Little Duck Key [– part of the Florida Keys]. Commercial camping sites and travel trailer courts have sprung up throughout the Keys. Even on the smaller Keys like Little Duck, where no facilities have yet been constructed, camping is permitted by local authorities,” ca. 1975.
“Campers on Little Duck Key sleep in their own hammocks,” ca. 1975.
“Beach at Little Duck Key. Little Duck, in the lower Florida Keys, is a tiny island which has not been commercially developed[;] the beach is open to visitors, who are not always careful to preserve its unspoiled appearance,” ca. 1975.
All three photos here were taken by Flip Schulke for DOCUMERICA, a 1970’s photography program of the U.S. Environmental Protection Agency. They are shown with the original captions.
The EPA hired over 100 photographers to “document subjects of environmental concern.” The work continued until 1977 and left behind an archive of about 20,000 images.
In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the U.S. National Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.
There are more pictures from DOCUMERICA here.
Over the sterile sands and the fields beyond, where the child leaving his bed wander’d alone, bareheaded, barefoot . . . .
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.
— Walt Whitman, from “Out of the Cradle. . .“
