Trois enfants

Another picture from a file of bookmarked photos I have labeled “children made to pose in gardens.”

8056081761_64c8a419a1_b“Three children in sailor suits,” between 1859 and 1910, in the Pyrénées, by Eugène Trutat, via Bibliothèque de Toulouse Commons on flickr.

I think the little girl has just about had enough.  I like the way she has her hands in her pockets.

There is another photo from the Bibliothèque that I believe shows the same three children, captioned “Enfants Servell, 2 novembre 1905,here.

On a terrace

Also from France, by Eugène Trutat . . .
Portrait of a family on a terrace, 1901, Library of Toulouse:flickrPortrait de famille sur une terrasse,” 1901, via Bibliothèque de Toulouse Commons on flickr.

Topiary seat

Interesting garden seat, France, Library of Toulouse:flickr

Deux femmes assises dans un jardin” (two women sitting in a garden), France, between 1859 and 1910, by Eugène Trutatvia Bibliothèque de Toulouse Commons on flickr.

On this clipped green throne, she could take in the sun and still be protected from the chilly winter or early spring breezes.

We can make do with so little, just the hint
of warmth, the slanted light.

Molly Fisk, from “Winter Sun

Three swans

Rodin's garden, Library of Congress“Landscape, Rodin’s garden, Meudon, France,” 1905, by Gertrude Käsebier, via Library of Congress Prints and Photographs Division.

La Vallée Suisse, Paris

The plants have taken over. The gardener has gone home.
— Gregory Ross, from Hidden Parks of Paris

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The verdant, sunken Garden of the Swiss Valley is a true “hidden garden” of Paris. Unless you know to look for the little green gate just past the very large and silly memorial, “The Dream of the Poet,” on Avenue Franklin D. Roosevelt, you will walk right by it on your way to the Seine.

But if you do know to stop and then enter the gate, you’ll descend over a dozen faux bois steps to a “stone” arch (also constructed of concrete, as are all the other stones in the garden).

Stepping through the archway, you’ll cross an artificial pond fed by the Seine (and reputedly inhabited by carp) and look down the single path of the long narrow space. Mature trees, shrubs, and perennials cover and obscure the valley walls; some dip into the water, including a 100-year-old weeping beech.

Elaine Sciolino, writing in the The New York Times, called this garden “a tiny stage-set.” With its fake rock and old-fashioned common garden plants,* it is not really “naturalistic,” yet is like a little wilderness — its arrangement seemingly having moved beyond planting design and maintenance.

When I visited it one morning in early September, a slight haze of dust and seasonal decay hung in the air. The only other person there was a homeless man sound asleep on one of the benches, and I tried not to bother him as I walked back and forth taking pictures.

At one end of the path, a faux bois pedestrian footbridge crosses overhead. At the other, green doors signal the entrance to a Climespace plant, which — 30 meters further underground — cools the surrounding buildings with circulating chilled water.

The Swiss Valley is one of the many garden spaces along the Champs-Élysées credited to Jean-Charles Adolphe Alphand, an engineer who directed the construction of many Haussmann-era parks. Whether he actually designed it seems lost to history (on the internet, at least). I have read that the Valley was created for the Exposition Universelle of 1900, but perhaps it was the 1889 World’s Fair, as Alphand died in 1891. How Switzerland or a Swiss exhibit comes into it is also not really clear.

The little park is now called the Garden of New France because of nearby Place du Canada. At least half its 1.7 acres are above the valley garden, level with the street — an ordinary assortment of shrubs, grass, and gravel paths.

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*Including maple trees, bamboo, wavy leaf silktassel, Mexican orange, viburnum, nandina, lilac, jasmine, white hibiscus, ferns, ivy, roses, daylilies, smooth hydrangea, smokebush, Japanese anemones, and Persicaria ‘Red Dragon’.

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