Parc Monceau, Paris

Colonnade dans le parc Monceau, la Naumachie, Paris (VIIIe arr.), France, 12 septembre 1923, (Autochrome, 9 x 12 cm), Auguste Léon, Département des Hauts-de-Seine, musée Albert-Kahn, Archives de la Planète, A 39 095 S
La Naumachie Colonnade in Parc Monceau, Paris, September 12, 1923, by Auguste Léon, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine (both photos).

In Ancient Rome, a naumachia was a large basin dug for staging naval battles* as public entertainment. In Parc Monceau, La Naumachie is a tranquil oval pool framed on one end by a Corinthian colonnade.

Colonnade dans le parc Monceau, la Naumachie, Paris (VIIIe arr.), France, 12 septembre 1923, (Autochrome, 9 x 12 cm), Auguste Léon, Département des Hauts-de-Seine, musée Albert-Kahn, Archives de la Planète, A 39 089 S

The columns were once part of a never-completed late 16th century mausoleum attached to the Basilica of Saint Denis. In the late 1770s, they were acquired by the Duke of Chartres for an elaborate “Anglo-Chinese” public garden he was creating in northwest Paris. He filled it with architectural follies (see here) — one of them being a “Roman” colonnade.

The Duke was guillotined in 1793. His land was first confiscated and then returned to his heirs, who sold about half of it to developers. In the 1850s, the city bought the last 20 acres of the old garden, and Parc Monceau opened in 1861 as a largely informal “English-style” park. Today, there are still a few follies, although only the colonnade/naumachia and a small Egyptian pyramid remain from the 18th century.

The autochromes above are two of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”† The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*The word also refers to the spectacle itself.

words of Albert Kahn, 1912. Also, the above photos (A 39 095 S and A 39 089) are © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.

The Sunday porch: Valdres, Norway

tonsasen-sanatorium-porch-ca-1890-by-carl-curman-valdres-norway-swedish-heritage-boardWomen on a veranda at Tonsåsen Sanatorium (the woman on the left is wearing a traditional costume similar to the one in this photo), Valdres, Norway, ca. 1890, by Carl Curman, via Swedish National Heritage Board Commons on flickr (all three photos).

tonsasen-sanatorium-ca-1890-by-carl-curman-valdres-norway-swedish-heritage-board

Tonsåsen Sanatorium was established for the treatment of tuberculosis in 1881 — the same year that the bacillus causing the disease* was identified by Robert Koch. Like similar facilities, just about the only treatment it could offer was a combination of nutritious food, rest, and plenty of fresh air. However, it also had thermal baths, and the photographer, Carl Curman, was a physician, specializing in the science of health baths (balneology).

tonsasen-sanatorium-2-ca-1890-by-carl-curman-valdres-norway-swedish-heritage-board

Even at the better sanatoriums, fifty percent of patients were dying within five years in 1916. It was only after the development of antibiotics after World War II that it was possible to treat and cure TB reliably. Tonsåsen closed in the 1960s.


*TB was proven to be communicable in 1869.

Western Front

wwi-british-trench-nationaal-archief-on-flickrOfficial photo of the recent English progress at the Western Front. A well hidden trench,” between 1914 and 1918, via Nationaal Archief (of the Netherlands) Commons on flickr.

It occurred to me that some, or a lot, of the wattle could have been woven by men who were gardeners before the war.

WWI trenches were not actually straight, but zigzagged to prevent enemy soldiers from firing down the axis. They were normally about 4 m. (12′) deep.

When the prince has no porch

frederick-i-of-baden-ca-1900-by-queen-victoria-of-sweden-tekniska-museet
. . . a rather awkward arrangement.

“Society at dining table. Frederick I of Baden sits in the middle,” location unknown, ca. 1890 – 1907, by Queen Victoria of Sweden, via Tekniska museet (Sweden) on flickr, under CC license.

Victoria (or Viktoria) of Baden — Queen of Sweden after 1907 — was the daughter of Frederick I. She married Crown Prince Gustaf in 1881, and they had three children, but it was not a happy marriage. From 1882, she spent almost every winter in Egypt and Italy, mostly in Capri. She was a good amateur photographer, as well as a painter and sculptor.

Riverside

coblence-germany-garden-cropped-on-the-rhine-ca-1920s-bibliotheque-toulouseGardens alongside the Rhine River, Coblence (Rhineland-Palatinate)” via Bibliothèque de Toulouse Commons on flickr (cropped slightly by me).

The Bibliotheque‘s flickr page gives Eugène Trutat as the photographer, but M. Trutat died in 1910, and the women’s dresses seem to be from the 1920s, maybe even the 1930s.

Coblence — now Koblenz — is a German town located where the Rhine and Moselle Rivers come together. The photo may have been taken here, looking over to the Ehrenbreitstein Fortress.