Vintage landscape: portraits

McCall flower portrait 13, ca. 1930, Provincial Archives of Alberta“Early Double Tulip: Van de Hoeff,” Alberta, Canada, ca. 1930, hand-colored glass lantern slide by William Copeland McCalla, via Provincial Archives of Alberta Commons on flickr (all images here).

McCall flower portrait 17, ca. 1930, Provincial Archives of AlbertaFritillaria Pudica Spreng – Yellow or Mission Bell.”

The photographer, William McCalla, was interested in botany and photography from an early age. He studied at Cornell University in the early 1890s and later worked in western Canada as a farmer, librarian, and Natural History teacher.  While teaching from 1925 to 1938, he made over 1,000 lantern slides of plants and animals as visual aids.

The slides were donated to the Archives by his son and granddaughter in 1982 and 2007.

McCall flower portrait 2, ca. 1930, Provincial Archives of Alberta“Cross-section of poppy capsule.”

McCall flower portrait 9, ca. 1930, Provincial Archives of Alberta“How Violets scatter their seeds: capsule open: [capsule] empty.”

McCall flower portrait 16, ca. 1930, Provincial Archives of Alberta“Trillium sessile: Californicum wats.”

McCall flower portrait 12, ca. 1930, Provincial Archives of Alberta“Gladiolus Star of Bethlehem.”

McCall flower portrait 14, ca. 1930, Provincial Archives of Alberta“Mountain Ash.”

McCall flower portrait 15, ca. 1930, Provincial Archives of Alberta“Phlox Drummondii.”

You can see more of McCalla’s beautiful flower portraits here.

Vintage landscape: fireweed

McCall flower portrait 1, ca. 1930, Provincial Archives of Alberta

Epilobium angustifolium discharging seeds,” Alberta, Canada, ca. 1930, glass lantern slide by William Copeland McCalla, via Provincial Archives of Alberta Commons on flickr.

The plant is now named Chamerion angustifolium. In Canada, it is commonly known as fireweed because it is quick to colonize damp sites made open by fires.

The photographer, William McCalla, was a farmer, librarian, and Natural History teacher. As visual aids for his classes and lectures, he made over 1,000 lantern slides of plants and animals. They were donated to the Archives by his son and granddaughter in 1982 and 2007. I will have more of McCalla’s flower portraits tomorrow.

follower of the fourth-oldest dream—
the landscape burning and burning.

C. Dale Young, from “Fireweed

Life in gardens: summer class

Life class, Bain News Service, Library of Congress“Life class, summer school, National Academy of Design,” probably New York City area, ca. 1910 to ca. 1915, by Bain News Service, via Library of Congress Prints and Photographs Division on flickr.

The students are drawing or painting a boy left of center in the photo.

Life in gardens: travelers

Alahambra, Spain, 1878, Swedish Natl Heritage BoardThe Alhambra, Granada, Spain, 1878, by Carl Curman, via Swedish National Heritage Board Commons on flickr.

The cyanotype shows the photographer’s wife, Calla, either sketching or reading during a visit to the Court of the Lions.  She was 28 at the time and just married to Curman. This may have been their honeymoon trip.

The Alhambra fortress/palace was built primarily in the 13th and 14th centuries by the Muslim Nasrid dynasty of southern Spain. After the Christian Conquest in 1492, it became the royal residence of Ferdinand and Isabella and, later, their grandson, Charles V. However, by the 18th century the site was derelict and largely abandoned.

In 1829, the American writer Washington Irving stayed in the Alhambra for three months and then turned his impressions into the romantic Tales of the Alhambra.

“The peculiar charm of this old dreamy palace,” he wrote, “is its power of calling up vague reveries and picturings of the past, and thus clothing naked realities with the illusions of the memory and the imagination.”

The book was popular, “the exotic was in vogue,” and cultured travelers — Calla was the daughter of a wealthy industrialist — began to visit the ruins in increasing numbers. Restoration work — often controversial — soon followed.  Today, the old complex is a UNESCO World Heritage site.

About 30 years after Carl and Calla’s trip, their son also visited the Court of the Lions and took the picture below.Alhambra, 1910, Tekniska museetGroup of tourists in the Court of the Lions,  ca. 1910, by Sigurd Curman, via Tekniska museet (Stockholm) Commons on flickr.

In the 14th century, the area around the fountain was a little lower than the walkways and planted in flowers, giving a tapestry or carpet effect.  Today, as in the photo above, the space is entirely covered in dry pebbles to preserve the building’s foundation.

I am the garden appearing every morning with adorned beauty; contemplate my beauty and you will be penetrated with understanding.

— Ibn Zamrak, from a poem on the wall of the Hall of the Two Sisters in the Alhambra.

Vintage landscape: horseshoes

Horseshoe fence 2, Nevada, 1978, Library of Congress

Horseshoe gate on the Pedroli Ranch, Paradise Valley, Nevada, July 1978, (35mm slide) by Richard E. Ahlborn, via American Folklife Center of the Library of Congress (both photos).

The ranch house gate was made by Pete Pedroli about 1950.  It has a counterweight for self closing. . .

Horseshoe fence latch, Nevada, 1978, Library of Congress
Photo by Suzi Jones

. . . and a latch made from a bridle bit.

There’s another photo of the house and gate here, by Carl Fleishhauer.