A glimpse of an old Japanese garden. . .
A hand-colored photo taken between 1860 and 1910, from a collection that belonged to journalist Holger Rosenberg, via National Museum of Denmark.
Unfortunately, the museum does not have any other information about this image.
When has an umbrella ever
Kept the rain and the mist from entering a heart
And shaking it with dreams?— Luis Muñoz Marin, from “Umbrella“
A little Monday morning pink and white…
“Flowers in a greenhouse,” between 1900 and 1930, an autochrome by James W. Chapman-Taylor, via Te Papa Tongarewa (Museum of New Zealand)
“Begonia House, Domain Gardens, Auckland,” 1915, an autochrome by Robert Walrond, via Te Papa Tongarewa.
The irresistible and benevolent light
brushes through the angel-wing begonias. . .The blooms are articulate deluge. . .
Elizabeth Woody, from “Illumination“
I’ve making patchwork pillows in shades of blue this week. The mosaic arrangement on this courtyard wall would be a good one to copy in fabric.
“Vnutri dvora Tilli︠a︡-Kari. Detalʹ na pravoĭ storoni︠e︡. Samarkand (Inside Tillia-Kari courtyard. Detail on right side.), between 1905 and 1915, by Sergeĭ Mikhaĭlovich Prokudin-Gorskiĭ, via Library of Congress Prints and Photographs Division (also the photo below).
In the center of Samarkand is the Registan complex, consisting of three madrasah (religious schools). The third of these, the Tillia Kari Madrasah, was built in 1646–60 on the site of a former caravansarai. Its basic plan is formed by a rectangular courtyard, bounded by arcades that contain rooms for scholars. Although much damaged, the facades show profuse ceramic decoration in geometric and botanical motifs, as well as panels with Perso-Arabic inscriptions above the door of each cell. Seen here is a detail of a cell facade inside the courtyard, with the walls covered in a geometric pattern of small glazed tiles and a fragment of an inscription panel above the door.
— from the image’s page on World Digital Library, a project of the Library of Congress.
“Vid s Tilli︠a︡-Kari na Samarkand (View of Samarkand from Tillia-Kari).”
Sergeĭ Prokudin-Gorskii made early color photographic surveys of the Russian Empire in the decade before World War I and the Russian revolution. He left Russia in 1918, eventually settling in Paris. The Library of Congress purchased his collection of 2,607 images from his sons in 1948. There are more vintage photos of Tillia Kari here.
Not Delft or delphinium, not Wedgewood. . .
But way on down in the moonless
octave below midnight, honey,
way down where you can’t tell cerulean
from teal.— Lynn Powell, from “Kind of Blue
“Higurashi no sato jiin no rinsen” (Temple Gardens, Nippori), 1857, a woodblock print by Andō Hiroshige, via Library of Congress Prints and Photographs Division.
The view is from Ueno Hill of Shūsō-in, one of three Buddhist temple gardens known as Hanamidera or Flower-viewing Temples. This print is one of fifty in an album of Edo (present day Tokyo) by Hiroshige.
There’s a nice essay on cherishing the brief beauty of the cherry blossoms by Diane Durston in today’s Washington Post, here.
Temple de la Sibylle in Parc des Buttes-Chaumont, Paris, France, between ca. 1890 and ca. 1900, a photochrom by Detroit Publishing Co., via Library of Congress Prints and Photographs Division.
The park, located in the northeast of Paris, is the city’s fifth largest. It opened in 1867.
enclos*ure 