Vintage landscape: the tree sellers

For ev’ry year the Christmas tree,
Brings to us all both joy and glee.

Bring on the holiday season!

The Christmas tree sellers, via D.C. Public Library“View of street vendors at 7th and B Streets, NW [Washington, D.C.] (ca. 1880 [sic]),” by E.B. Thompson, via D.C. Public Library Commons on flickr.

B Street, N.W., was the original name for what is now Constitution Avenue (since 1931). At the time of this picture, Center Market stood on B Street, between 7th. and 9th. Streets — at the current site of the National Archives building.

Commenters on the flickr page have suggested — correctly, I think — that the 1880 date is wrong and the photo was probably taken in the first decade of the 20th century.

O Christmas tree, O Christmas tree,
Much pleasure dost thou bring me!

— from c. 1910 English version of O Tannenbaum

Vintage landscape: burning the leaves

Burning the autumn leaves on Broadway in Norwich, Connecticut, 1940, by Jack Delano, Library of Congress“Burning the autumn leaves on Broadway in Norwich, Connecticut,” November 1940, by Jack Delano.

Today, they might be advised to do this.

Burning the autumn leaves on Broadway in Norwich, Connecticut, 1940, by Jack Delano, Library of CongressBoth photos via the Library of Congress Prints and Photographs Division.

Have a happy Thanksgiving Day!

The Sunday porch: as backdrop

What better setting for some summertime snapshots than a charming porch dripping with vines?

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These are the Cabot children (and probably their mother), photographed by Thomas Warren Sears and via the Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears Collection.*

The Archives’ website says that these images were taken in 1930, but I would guess between 1900 and 1910, based on the clothing.

Sears studied landscape architecture at Harvard University between about 1900 and 1906. During that time, he also won awards for his amateur photography. One can well imagine him taking his camera to the summer home of friends and taking some casual pictures.

After graduation, he worked for Olmsted Brothers Landscape Architects.  By 1913, he had established his own office in Philadelphia, from where he designed various types of landscapes in the mid-Atlantic region until the mid 1960s.

The Archives of American Gardens holds over 4,600 of his black and white glass negatives and glass lantern slides taken between c. 1900 and 1966.

Earlier this month, the Archives announced the acquisition of the Ken Druse Garden Photography Collection, which includes thousands of transparencies and slides of over 300 American gardens.  Selected images will eventually be added to the Smithsonian’s online catalogue.

Little girl. . . .

She has things to do,
you can tell. Places to explore
beyond the frame .  .  .

— Tami Haaland, from “Little Girl,” from When We Wake in the Night


*Used with permission.

The Sunday porch: Druid Hill Park

The Sunday porch/enclos*ure: Mansion House, Druid Hill Park, about 1906, Library of CongressThe Mansion House at Druid Hill Park, Baltimore, Md., between¹1900 and 1910, by Detroit Publishing Co., via Library of Congress Prints and Photographs Division.

Somewhere underneath that 1863 Italianate porch and tower is a respectable 1801 Federal house, similar to Homewood House at John Hopkins University, according to Druid Hill Park: The Heart of Historic Baltimore.

It was built by landowner Nicholas Rogers as a summer house for his family, and it later became their primary residence.  In 1860, his grandson sold the property to the city — which soon began turning it into a landscaped park.²

A closer look.
A closer look.  There’s a round fountain on the grassy area in front of the steps.

The new park’s (19-year-old) architect, George A. Frederick, added the open 20′-wide porch to all four sides of the mansion, and it was re-opened as a public pavilion, with refreshments sold in the basement.  From the new tower, visitors could view the city. After 1876, a “zoological collection” could also be seen near the house.

In 1935, the porch was enclosed with large windows, and a Milk Bar and doughnut-making machine were installed.  The Mansion House was advertised as “every man’s³ country club in the heart of Baltimore.”

In the 1940s, the building became a day school. Then, from the mid 1950s to 1978, exotic birds were displayed on the porch.  In 1978, the house was renovated to hold the administration offices of The Maryland Zoo.

From the 1860s until his retirement in 1926, shepherd George Standish McCleary, cared for the park's grass-cutting herd of Southdown sheep. He was assisted by three Scotch collies.
From about 1870 until his retirement in 1926, shepherd George Standish McCleary, cared for the park’s grass-cutting herd of Southdown sheep. He was assisted by three Scotch collies.

It so happens that I spent quite a bit of time in this house during the summer of 1979, when I was a student at Goucher College.  I had an internship with the zoo’s Education Department.

Very newly renovated, the building was fresh, light, and airy, and almost empty. I can’t remember any other people in it:  just the Education Director, his assistant, and me — perching, as is the usual situation for an intern, at the corner of the assistant’s desk.

I spent most of my time there working on the opening of a rather short-lived Insect Zoo ( possibly an idea ahead of its time).  I learned to write exhibit labels, which had to be very brief and at the level of a 4th grade reader.  This is actually quite difficult to do and was very good for me — I had to figure out what was really important or interesting about the animal or bug and then state it as simply as possible;  no filler or showing off allowed.

A large part of the 745-acre park is forested, and one day the three of us went off to poke around the woods not too far from the house.  I remember seeing old steps, discarded garden ornaments, and broken statuary — or maybe I only think I remember such a romantic thing.

The Maryland Zoo (formerly The Baltimore Zoo) is the third oldest zoo in the U.S.
The Maryland Zoo (formerly The Baltimore Zoo) is the third oldest zoo in the U.S.

Today, the building is still used for the zoo’s administrative office, and the porch can be rented for private events, such as weddings.  The interior is very pretty in “buttery yellow,” with white trim, gold detailing, and rows of chandeliers.

ADDENDUM:  A few months after this was posted, I received a email from a retired city employee confirming that the woods did contain a collection of old stone work, salvaged from houses that had been torn down.

I went by the Druid stone
That broods in the garden white and lone,
And I stopped and looked at the shifting shadows
That at some moments fall thereon
From the tree hard by with a rhythmic swing,
And they shaped in my imagining
To the shade that a well-known head and shoulders
Threw there when she was gardening. . . .

— Thomas Hardy, from “The Shadow on the Stone


¹The two other photos are c. 1906, by Detroit Publishing Co., via Library of Congress.

²It quickly sold off the Rogers’s grove of 40,000 pear trees.

³At that time, every white man’s, I suspect.  Although African-Americans used many parts of the park from its beginning, some areas were “whites only.”  The swimming pool and tennis courts were not integrated until 1956.

Think pink

Pink azaleas in Rockefeller Center, NYC, 1945, Gottscho-Schlieisner Collection, Library of Congress:enclos*ure“Rockefeller Center, New York City, planted with azaleas,” April 1945, by Gottscho-Schleisner, Inc., via Library of Congress Prints and Photographs Division.

S’wonderful!

Pink azaleas in Rockefeller Center, NYC, 1945, Gottscho-Schlieisner Collection, Library of Congress:enclos*ureSamuel Herman Gottscho worked as a traveling lace and fabric salesman before becoming a commercial photographer at the age of 50. He specialized in architecture, but also regularly contributed to New York Times articles on wildflowers.  He was awarded the New York Botanical Garden’s Distinguished Service Medal in 1967 for his photographs of plants.

The Library of Congress holds 29,000 of his images in the Gottscho-Schleisner Collection (William Schleisner was his son-in-law and partner).