“Still life with motifs of tulips,” by John Hertzbert, an autochrome made between 1904 and 1935, via Tekniska Museet (Sweden) on flickr (used under CC license).
This lantern slide was used in photography class lectures at the Royal Institute of Technology in Stockholm.
I love tulips better than any other spring flower; they are the embodiment of alert cheerfulness and tidy grace. . . .
― Elizabeth von Arnim, Elizabeth and Her German Garden
To see what other garden bloggers have put in a vase today, please visit Cathy at Rambling in the Garden.
Orange tulips on the mantelpiece after a week alone in the house, while we were off traveling. I love the way cut tulips change as they fade.
To see what other bloggers have put in a vase today, please visit Cathy at Rambling in the Garden.
A re-post from 2013. . .
Strolling in Bagatelle Park, Paris, France, ca. 1920, a hand-colored glass lantern slide by an unknown photographer, via Archives of American Gardens, Garden Club of America Collection, Smithsonian Institution (used here by permission).
(Click on the picture to enlarge it.)
The park has been a botanical garden inside the Bois de Boulogne since 1905. Today, it’s best known for its over 9,000 rose bushes. The land was originally laid out in 1777 in a fashionable Anglo-Chinois style as a garden for the Chateau de Bagatelle — built by the Count of Artois in only 64 days as part of a bet with Marie Antoinette.
Another well-dressed lady in the same garden, also ca. 1920, an autochrome by an unknown photographer, via Photographic Heritage on flickr (under CC license).
The Archives of American Gardens (top image) holds over 60,000 photos and records documenting 6,300 historic and contemporary American gardens. At its core are almost 3,000 hand-colored glass lantern and 35mm slides donated by the Garden Club of America, which is the source of this image.
Palace of Horticulture, Panama-Pacific International Exhibition, San Francisco, California, 1915, an autochrome by an unknown photographer, via George Eastman Museum Commons on flickr.
The Exhibition was open from February to December 1915 and celebrated the completion of the Panama Canal in 1914. It also showcased the city’s recovery from the devastating 1906 earthquake. Its palaces and halls were built on a 635-acre site along the city’s northern shore, between the Presidio and Fort Mason.
“Constructed from temporary materials (primarily staff, a combination of plaster and burlap fiber), almost all the fair’s various buildings and attractions were pulled down in late 1915,” according to Wikipedia.