Place du Carrousel

Arrangement of tulips in the Tuileries Garden, Paris, May 8, 1925, by Auguste Léon, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine.

These autochromes were taken at the Place du Carrousel, looking south to the Seine River. Today, there is a road and a roundabout (with a skylight for the underground shopping mall below) on this spot, which is just west of where I.M.Pei’s Pyramide du Louvre now stands.

It is also where Emmanuel Macron and his supporters celebrated his victory in the French presidential election runoff last night.

Looking southwest.

Today is La Fête de la Victoire in France. The public holiday commemorates the date of Germany’s unconditional surrender to the Allies in 1945, ending World War II in Europe.

The images above are four of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*words of Albert Kahn, 1912. Also, the above photos (A 45 252, A 45 253, A 45 255 S, A 45 257) are © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.

The Tuileries, Paris

We were lucky enough to be in Paris and Brussels all last week. The weather was wonderful: slightly cooler than Stuttgart and — my photos below not withstanding — very sunny.

Tuileries fountain, ca. 1900, photochrom via Library of CongressWhile taking pictures at the grand bassin rond in the Tuileries Garden, I remembered this turn-of-the-century photochrom (above) from the Library of Congress.

Last Tuesday, a bit “antiqued.”My slightly “antiqued” version, the first Saturday of September.

There are more photos below — click on any thumbnail in the gallery.

Vintage landscape: promenade

More beautiful photochroms of France from the Library of Congress. . . . Enjoy.

[The Promenade, Montpelier, France“The Promenade, Montpelier, France,” between ca. 1890 and ca. 1900, a photochrom by Detroit Publishing Co., via Library of Congress Prints and Photographs Division (and all photos below).

The Tuileries garden, Paris, France“The Tuileries garden, Paris, France.”

Brest France photochrom, ca. 1900, Library of CongressThe Cours Dajot, Brest, Brittany, France.

[The Square and the Place D'Arcy, Dijon, France“The Square and the Place D’Arcy, Dijon, France.”

Caen, France, c. 1895, Library of Congress“Royal Palace and hotel de ville, Caen, France.”

Hotel de ville, posts and telegraphs, Vichy, France“Hotel de ville, posts and telegraphs, Vichy, France.”

Monks' promenade, Mont St. Michel, France“Monks’ promenade, [Abbey of] Mont St. Michel, France.”

Vintage landscape: 1890s Paris in photochroms

Among the many treasures of the Library of Congress’s online catalogue are several thousand digital images of antique photochrom prints.

The prints were colored images made from black-and-white photographic negatives transferred onto lithographic printing plates.  The process was invented at a Swiss printing company in the 1880s.  By the mid 1890s, it had been licensed it to many other companies, including the American Detroit Publishing Company, which had exclusive rights in the U.S.

A ferris wheel (la grande roue) in Paris, near the Eiffel Tower, ca. 1890-1900.

In 1898, Congress passed an act allowing private publishers to print postcards that could be mailed for only a penny each — half the rate of a letter.  Millions of photochrom postcards were purchased — and often collected in albums or framed — in the first two decades of the nineteenth century.

Wikipedia describes the process:

A tablet of lithographic limestone, known as a “litho stone,” is coated with a light-sensitive coating, comprising a thin layer of purified bitumen dissolved in benzene. A reversed half-tone negative is then pressed against the coating and exposed to daylight for a period of 10 to 30 minutes in summer, up to several hours in winter. The image on the negative allows varying amounts of light to fall on different areas of the coating, causing the bitumen to harden and become resistant to normal solvents in proportion to the amount of light that falls on it. The coating is then washed in turpentine solutions to remove the unhardened bitumen and retouched in the tonal scale of the chosen color to strengthen or soften the tones as required. Each tint is applied using a separate stone bearing the appropriate retouched image. The finished print is produced using at least six, but more commonly from 10 to 15, tint stones.

The Luxembourg Garden.

Often the printer was provided with notes about realistic colors, but sometimes he had to work from his imagination alone.  However, Detroit Publishing’s catalog said that its photochrom prints joined “the truthfulness of a photograph with the color and richness of an oil painting or the delicate tinting of the most exquisite water color.”

In these images of Belle Epoque Paris, the printer used ivory, pink, and apricot for the buildings and ground, quiet blues and greens for water and sky, and put a buttery light at the horizons.  The tints soften and still the monumental spaces on this walk from the Louvre to the Arc de Triomphe at L’Etoile.

A panorama of the seven bridges over the Seine River. The Eiffel Tower in the distance was built in 1889.

(All photos were taken by the Detroit Publishing Company, ca. 1890-1900; all via the Library of Congress Prints and Photographs Division. To scroll through the images in full size, click on ‘Continue reading’ below and then on any of the thumbnails in the gallery.)

The Louvre.

The Carrousel. This arch was built in 1805 to celebrate Napoleon’s victories.

Rue de Rivoli. The arcades and shops along the street were built between the early 18th century and the 1850s.

The Tuileries Garden.  Its name came from the tile makers (tuileries) who were removed  from the site on Catherine de Medicis’s orders so that she could build a (later-destroyed) palace and grounds.   The palace garden was redesigned in the 17th century by André Le Nôtre for Louis XIV.

The Tuileries Garden.

Place de la Concorde.  During the revolution, the guillotine was placed here and took over a thousand lives. Later, the space was named la Concorde in a gesture of reconciliation. Since 1833, its central feature has been the 3,200-year-old obelisk from Luxor, Egypt.

Place de la Concorde and Pont (bridge) de la Concorde.

Rue Royale and Place de la Madeleine. This church is dedicated to Mary Magdalene. Its construction began in 1764, but it was not consecrated until 1845.

Ave. Napoleon III (now Ave. Winston Churchill) and the Grand Palais (left) and Petit Palais (right). The two display halls were built between 1896 and 1900 for the Universal Exhibition of 1900.

The Arc de Triomphe. The first stone of the arch was laid in 1806, but it was only completed in 1836 and dedicated to the French army.

Avenue Champs Elysees, looking back toward the Tuileries Garden and the Louvre. The tree-lined boulevard was originally designed about 1667 by André Le Nôtre to extend the view from the Tuileries.