“The home garden of Clifford[,] Bernard[,] and Elizabeth Bridges who use the fertilizer from the Rabbitry for their gardens.” Photo taken in Oregon, ca. between 1915 and 1918, via 4-H Photograph Collection, OSU Special Collections & Archives Commons on flickr.
The children are members of a local 4-H club, making a WWI victory garden. I think this is the Portland home (and children) of W.R. and Elizabeth Bridges. W.R. was a proofreader for The Oregonian.
Click on “via” above for a larger view of the image.
“Mrs B Captain, Ekins and garden, Savage Crescent,” Upper Hutt, New Zealand, ca. early to mid 20th c., by J.W. Chapman-Taylor, via Museum of New Zealand/Te Papa Tongarewa.
I wonder if the wooden crates stacked up on the left indicate that this was a market garden, which were common in the Hutt Valley until the 1940s.
You can click on the picture to enlarge it (or click here and then on the image to zoom in even more).
Chapman-Taylor was an important New Zealand domestic architect, builder, furniture designer, and photographer who lived in the Valley in the mid 1930s.
Little house and garden of a coal miner, Lens, France, May 16, 1920, by Frédéric Gadmer, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine (all three photos).
The city of Lens, once home to the Lens Mining Company, was largely destroyed in World War I. The photo above shows post-war temporary workers’ housing.
Avion, just south of Lens, was similarly devastated. The photos above and below show new houses on Rue Pascal on June 14, 1921.
The front sides of the new houses on Rue Pascal.
Avion was un coron(a mining village) of the Liévin Company, which had 9,695 employees at the start of WWI.
These autochromes are three of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.
“Boys with prize marrow and dogs,” Swan Hill, Victoria, 1923, by Kate Bradbury, via The Biggest Family Album in Australia, Museums Victoria Collections.
The little vegetable gardens near pont Mirabeau, behind quai d’Auteuil (now quai Louis-Blériot), Paris, on May 30, 1928, by Auguste Léon, via Collection Archives of the Planet – Albert Kahn Museum/Département des Hauts-de-Seine.
The Auteuil wharf or quai, next to the Seine River, was situated at the top of the sandy-looking embankment on the right side above (also see here, third photo). Then there was a drop down to the gardens, and, on the left, Avenue de Versailles was at the top of the wall (I think). In the distance, you can see the Eiffel Tower and before it, a little to the right, the small Paris replica of the Statue of Liberty at the southwest end of the Île aux Cygnes.
There’s another view here (the 15th photo down). The area was filled in and covered by the highway Voie George Pompidou and modern apartment buildings in the 1960s.
This lovely autochrome is one of about seventy-two thousand that were commissioned and then archived from 1909 to 1931 by French banker and pacifist Albert Kahn. He sent thirteen photographers and filmmakers to 50 countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.