“L. E. side,” 1967, by James Jowers, via George Eastman Museum Commons on flickr.
James Jowers worked in New York City and lived on the Lower East Side about the time this photo was taken.
“L. E. side,” 1967, by James Jowers, via George Eastman Museum Commons on flickr.
James Jowers worked in New York City and lived on the Lower East Side about the time this photo was taken.
“Woman in greenhouse,” ca. 1910, an autochrome by Mrs. Benjamin F. Russell, via George Eastman Museum Commons on flickr.
I have not been able to find out anything about Mrs. Russell.
Palace of Horticulture, Panama-Pacific International Exhibition, San Francisco, California, 1915, an autochrome by an unknown photographer, via George Eastman Museum Commons on flickr.
The Exhibition was open from February to December 1915 and celebrated the completion of the Panama Canal in 1914. It also showcased the city’s recovery from the devastating 1906 earthquake. Its palaces and halls were built on a 635-acre site along the city’s northern shore, between the Presidio and Fort Mason.
“Constructed from temporary materials (primarily staff, a combination of plaster and burlap fiber), almost all the fair’s various buildings and attractions were pulled down in late 1915,” according to Wikipedia.
“Girl with carnations,” ca. 1915, an autochrome by Charles C. Zoller, via George Eastman House Collection on flickr.
Zoller was an American from Rochester, New York, who worked in the first decades of the 20th century. The George Eastman House holds almost 4,000 of his autochrome plates.
Another wonderful photo of (April 1945) pink is here.
“Glass dish with classical figures, ceramic bowl and vase of flowers,” ca. 1915, an autochrome by H. Wormleighton, via George Eastman House Collection on flickr.
I couldn’t find out anything about H. Wormleighton except that he or she was English and worked in the first three decades of the 20th century.