The garden is far more formal now, with a clipped boxwood parterre in a geometric pattern around a fountain. There’s a more recent photo here.
“Beetle orchestra,” artist and date unknown, via National Archives of Estonia Commons on flickr.
The pencil and watercolor drawing comes from an album of poetry and fanciful sketches of bugs and birds. It was found in the 18th century manor house of the Saadjärve estate, which has belonged to several noble Baltic German families over the centuries. The album may be connected to the von Koskulls, who owned the property in the 19th century. There are more examples of the drawings here.
By the way, an Instagram post by @smithsoniangardens reminds us that although “[t]hey may be less elegant than other pollinators, . . . beetles have been providing their pollination services far longer than many of the well-known pollinators. Ancient and abundant in numbers, there are almost four times as many species of beetles as animals with backbones!” (This is Pollinator Week.)
As always, you can click on the image for a little better view.
Gladys Reeves and father, W.P. Reeves, ca. 1940, vía Provincial Archives of Alberta Commons on flickr.
Gladys Reeves immigrated from England to Alberta with her family when she was 14 years old. A year later, she began working for photographer Ernest Brown as a receptionist and later as an apprentice. In 1920, she set up her own studio, The Art League, in Edmonton. She may have been the first woman in the region to operate her own photography business — which she ran until 1950. She was also a serious gardener and won a medal for best garden in the city in 1907.
You can click on the picture to get a larger view.
Hill and her husband also owned “Grey Gardens,” the East Hampton estate later famously inhabited by Edith Bouvier Beale and “Little Edie.” She was Director of the Garden Club of America for six years in the 1920s, and, in 1938, she wrote a book about her gardening life, called Forty Years of Gardening. You can read it online here.
Of course it’s about their flowered dresses, aprons, and blouse. For a much closer look, click here and then on the flickr page image.
The sisters are Anne, Johanna, Synneve, Inga, Ragna, and Kristina. In 1936, Kristina emigrated to the U.S. (The two girls in front are unidentified.)
The photographer, Olai Fauske, worked all around the Sunnfijord district, which included Jølster. He sold his photos and postcards not only locally, but to people who had emigrated from the area to the U.S. and then wrote back to him requesting pictures of home.
His childhood friend Alfred, for instance, longed to see Erviki in all its summer glory: “When June comes I believe it wouldn’t be such a bad idea to try and get a picture of Erviki, when all the hills are green and the waterfall quite big. I liked that the best. . .,” he wrote in a letter to Fauske in 1909.
— notes on flickr album of Fauske’s photos
Fauske’s photo archive is now part of the County Archives of Sogn go Fjordane.