Tag: Dick Swanson

The Sunday porch: North Philadelphia

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“Middle class row house [stoops] in Black neighborhood of North Philadelphia,” August 1973, by Dick Swanson (his caption) for DOCUMERICA via U.S. National Archives Commons on flickr.

Swanson took this picture for DOCUMERICA, a photography program of the U.S. Environmental Protection Agency (EPA). From 1972 to 1977, it hired over 100 photographers to “document subjects of environmental concern.” They created an archive of about 80,000 images. In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.

Philadelphia, Pennsylvania

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Row Houses, Philadelphia, Pennsylvania, August 1973, by Dick Swanson for DOCUMERICA, via U.S. National Archives Commons on flickr.

Swanson took this picture for DOCUMERICA, a photography program of the U.S. Environmental Protection Agency (EPA). From 1972 to 1977, it hired over 100 photographers to “document subjects of environmental concern.” They created an archive of about 80,000 images. In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.

Philadelphia

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“Crossing the painted road which extends east from The Philadelphia Museum of Art, August 1973,” by Dick Swanson, via the U.S. National Archives Commons on flickr (all photos and captions in quotes here).

“From the steps of the Philadelphia Museum of Art — looking down Benjamin Franklin Parkway toward City Hall and Center City.”

The road painting, “Big Stripes,” was created by Gene Davis in 1972. At the time, it was the world’s largest painting.  Davis was a leader in the Washington [D.C.] Color School.

“Fountains surrounding Philadelphia Museum of Art are especially popular in a heat wave.”

Swanson took these images for DOCUMERICA, a photography program of the U.S. Environmental Protection Agency (EPA). From 1972 to 1977, it hired over 100 photographers to “document subjects of environmental concern.” They created an archive of about 80,000 images. In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.

“The art of cooling off is enthusiastically pursued in the fountains of The Philadelphia Museum of Art.”

Washington, D.C.

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Small front gardens and a sidewalk cafe on 17th Street, N.W., between H and I Streets, August 1973, by Dick Swanson for DOCUMERICA, via The U.S. National Archives Commons on flickr.

(Click on the image for a better view.)

None of these buildings remain today. The current view (from the ground) is here.

DOCUMERICA was an photography program of the U.S. Environmental Protection Agency (EPA). From 1972 to 1977, it hired over 100 photographers to “document subjects of environmental concern.” They created an archive of about 80,000 images.

In addition to recording damage to the nation’s landscapes, the project captured “the era’s trends, fashions, problems, and achievements,” according to the Archives, which held an exhibit of the photos, “Searching for the Seventies,” in 2013.

Striped road

Cindy at enclos*ure4 Comments

Vintage landscape/enclos*ure: Big Strips, painting by G. Davis, 1973, via Natl. Archives“Crossing the painted road which extends east from The Philadelphia Museum of Art, August 1973,” by Dick Swanson, via the U.S. National Archives Commons on flickr.

This is another photo taken for DOCUMERICA, a 1970’s photography program of the U.S. Environmental Protection Agency (shown here with original caption).

The road painting, “Big Stripes,” by Gene Davis, was created in 1972. At the time, it was the world’s largest painting.  Davis was a leader in the Washington [D.C.] Color School.

Does anyone know if any part of this painting survives today?