Part of the formal garden of the Château de Fontainebleau, with the Grand Canal barely visible in the distance, Ile-de-France, France, between 1914 and 1925. This is a glass lantern slide by Williams, Brown & Earle, Inc., via Archives of American Gardens, Garden Club of America Collection, Smithsonian Institution (used here by permission).
The Archives holds over 60,000 photos and records documenting 6,300 historic and contemporary American gardens. At its core are almost 3,000 hand-colored glass lantern and 35mm slides donated by the Garden Club of America, which is the source of this image.
(Click on the picture to enlarge it.)
On the grounds of the Chateau de Voisins, Saint Hilarion, France, October 26, 1927, by
Roger Dumas, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine.
This autochrome is one of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.
*words of Albert Kahn, 1912. Also, the above photo (A 51 744) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.
Round enclosure on Eeuwigelaan (street) in Bergen, The Netherlands, 1926, by A. J. Bonda, via Archief Alkmaar Commons on flickr.
I have been wondering about the purpose of this really nice rustic fence in a wooded area (there’s another view here). In a much larger version of the photo, you can see barbed wire all around the top rails. The ground inside has either been dug out or worn away. There are two benches nearby, with more barbed wire fencing behind them. What appears to be a road in the background is actually a canal. (And you can also see that the man standing on the right is wearing wooden shoes.)
It could have been the site of a large tree of special local significance, which then died and was removed. Or the spot of some other removed shrine or monument. But why not take away the fence and fill the hole after dismantling what was inside? Then I thought it might have been the small crater itself that was important — perhaps the remains of a WWI shelling in the area.
Today, this street is lined with very large homes.
ADDENDUM: Nope, wrong all round. 🙂 Please see the very interesting comment below.
Having a picnic near the tulip bulb fields of Aalsmeer, the Netherlands, 1960, via Collectie SPAARNESTAD, Nationaal Archief Commons on flickr.
The largest flower auction in the world is in Aalsmeer. There’s an interesting video clip of it here.
Seagulls in Den Helder, the Netherlands, ca. 1910, photographer unknown, via Archief Alkmaar Commons on flickr.