A repeat post from 2012. . .
“Milkweed,” 1900, by Mary Frances Carpenter Paschall, via Library of Congress Prints and Photographs Division.
This photo was part of a large group of “artistic photographs,” primarily by early women photographers, that was donated to the Library of Congress by Frances Benjamin Johnston. In the spring of 1900, she had used some of these images in an exhibition of work by American women photographers at the Exposition Universelle Internationale in Paris.
. . . I look down now. It is all changed.
Whatever it was I lost, whatever I wept for
Was a wild, gentle thing, the small dark eyes
Loving me in secret.
It is here. At a touch of my hand,
The air fills with delicate creatures
From the other world.
— James Wright, from “Milkweed“
A corner of the Whitman Garden, Bedford, New York, between 1914 and 1949, a hand-colored glass lantern slide by an unknown photographer,* via Archives of American Gardens, Garden Club of America Collection, Smithsonian Institution (used here by permission).
There are four more images of this garden here. It was designed by landscape architect Robert Ludlow, Jr.
The Archives holds over 60,000 photos and records documenting 6,300 historic and contemporary American gardens. At its core are almost 3,000 hand-colored glass lantern and 35mm slides donated by the Garden Club of America, which is the source of this image.
(Click on the picture to enlarge it.)
*The slide manufacturer was Edward Van Altena.
Cut amaryllis flowers from the grocery store and nice orange berries from the ugly euonymus in the front yard.
I like orange and pink at Christmas.
The amaryllis started out long-stemmed — although not so long as these — but I cut them down as they started to fade a little after a week.
To see what other bloggers have put in a vase today, please visit Cathy at Rambling in the Garden.
Selling flowers to Sikh pilgrims at the Golden Temple, Amritsar, India, January 15, 1914, by Stéphane Passet, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine.
This autochrome is one of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker who was committed to the ideal of universal peace and who believed that “knowledge of foreign cultures encourages respect and peaceful relations between nations.”* He was also acutely aware that the 20th century was going to bring rapid material change to the world.
Accordingly, from 1909 to 1931, Kahn sent thirteen photographers and filmmakers to 50 countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.’”† The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.
*Collections Albert-Kahn website. Also, the above photo (A 4 214) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.
†words of Albert Kahn, 1912.
East Bolton Street, Victorian Historic District, Savannah, Georgia, 1979, by Walter Smalling for an Historic American Building Survey (HABS), via Library of Congress Prints and Photographs Division.
Interesting porch columns. . . . It appears, from Google Satellite, that the house is still standing.