Mount Vernon

A repeat “Vintage” from 2012. . .

I love this 1902 photograph of the Upper Garden at George Washington’s home, Mount Vernon. It’s so high Colonial Revival.

Early American Gardens has a post this week,  “Mount Vernon after George Washington’s death,” with images from the 19th century.  While looking at them I remembered the picture above and the two below.

Above is a hand-colored slide from a 1929 aerial photo, part of the lantern slides collection of Frances Benjamin Johnston.  The Upper Garden is on the right side.

And here is a general view (c.1910 – 1920) of the the Upper Garden by the Detroit Publishing Co.  All three images above via the Library of Congress Prints and Photographs Division.

The 20th century photos are pretty, but they don’t accurately represent the Upper Garden of Washington’s time.  In the late 19th century, restorers thought that the boxwood parterres (many filled with hybrid tea roses) were original to Washington’s time, but research in the 1980s found that they were actually planted in the 1860s or 70s (although they may have been rooted from Washington’s boxwood).

The garden was substantially re-worked in 1985, but such is the romantic power of a boxwood hedge that the mid-19th century bushes were largely “kept in place by their own mythology and the mythology they supported of Washington as American royalty,” according to The History Blog, here.

But by the early 2000s, those boxwoods were dying, so the Mount Vernon Ladies’ Association, which owns the estate, decided to make an extensive (six-year) archaeological dig on the site.  This culminated in a “new” (1780s) design in 2011.  The area now holds large open beds of vegetables and flowers.  They are bordered by low boxwood hedges and centered by a 10′ wide gravel walkway.

You can read about the restoration in this Washington Post article, here.  And I really recommend watching this very interesting 30-minute C-Span video about the research and archaeology that informed it.

(There’s more about the garden in 2017 here.)

Life in gardens: Aoyama

Ecole d'Aoyama, enfants et balançoires, Tôkyô, Japon, été 1926, (Autochrome, 9 x 12 cm), Roger Dumas, Département des Hauts-de-Seine, musée Albert-Kahn, Archives de la Planète, A 55 945 XA very nice playground at a school in Aoyama, a neighborhood of Tokyo, summer 1926, by Roger Dumas, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine.

This autochrome is one of about 72,000 that were commissioned and then archived by Albert Kahn, a wealthy French banker who was committed to the ideal of universal peace and believed that “knowledge of foreign cultures encourages respect and peaceful relations between nations.”* He was also acutely aware that the 20th century was going to bring rapid material change to the world.

Accordingly, from 1909 to 1931, Kahn sent thirteen photographers and filmmakers to 50 countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”†  The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*Collections Albert Kahn website. Also, the above photo (A 55 945 X) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.
†words of Albert Kahn, 1912.

Life in gardens: Pennsylvania

Library Company of Philadelphia 3

A family in front of their Pennsylvania home, between 1890 and 1901, by The United States View Company, via Library Company of Philadelphia Commons on flickr.

The United States View Company of Richfield, Pennsylvania, was established in the 1890s. Like several similar businesses — as well as hundreds of independent itinerant photographers — its employees traveled to small towns and took pictures of people posing in front of their homes or other local landmark buildings.

Click on the image above to enlarge it.

Quai d’Auteuil, Paris

Jardins potagers, quai d'Auteuil (actuel quai Louis-Blériot), Paris (XVIe arr.), France, 30 mai 1928, (Autochrome, 9 x 12 cm), Auguste Léon, Département des Hauts-de-Seine, musée Albert-Kahn, Archives de la Planète, A 54 766The little vegetable gardens near pont Mirabeau, behind quai d’Auteuil (now quai Louis-Blériot), Paris,  on May 30, 1928, by Auguste Léon, via Collection Archives of the Planet – Albert Kahn Museum/Département des Hauts-de-Seine.

The Auteuil wharf or quai, next to the Seine River, was situated at the top of the sandy-looking embankment on the right side above (also see here, third photo).  Then there was a drop down to the gardens, and, on the left, Avenue de Versailles was at the top of the wall (I think). In the distance, you can see the Eiffel Tower and before it, a little to the right, the small Paris replica of the Statue of Liberty at the southwest end of the Île aux Cygnes.

There’s another view here (the 15th photo down). The area was filled in and covered by the highway Voie George Pompidou and modern apartment buildings in the 1960s.

This lovely autochrome is one of about seventy-two thousand that were commissioned and then archived from 1909 to 1931 by French banker and pacifist Albert Kahn. He sent thirteen photographers and filmmakers to 50 countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”*  The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.


*words of Albert Kahn, 1912. The above photo (A 54766) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.

The winter garden: Nice, France

nice-winter-garden-library-of-congressWinter garden (interior), Nice, French Riviera, between ca. 1890 and ca. 1900, a photochrom by Detroit Publishing Co., via Library of Congress Prints and Photographs Division.

There is another view of this structure here. It was probably connected to one of the city’s grand casinos.