“. . . standing on road in (cemetery) garden [in Japan]; large flowering cherry trees, evergreens and stone monuments,” ca. 1910, a hand-tinted glass-plate slide, via University of Victoria Libraries Commons on flickr (both photos).
(Click on the images to enlarge them.)
A commenter on the flickr page thought this was the pathway to the Kasuga Shrine in Nara.
“Group of deer feeding on lawn in wooded garden; stone monuments and summer house in mid-ground.”
The King’s Garden, Copenhagen, March 24, 2016.
“Blossom time in Tokyo,” ca. 1914, a woodcut print by Helen Hyde, via Library of Congress Prints and Photographs Division.
Helen Hyde grew up in the San Francisco Bay area and studied at the California School of Design and in Europe. While in Paris, she was influenced by Mary Cassatt’s early works, which made use of Japanese perspective and pattern and featured the intimate lives of women and children. In 1899, she moved to Tokyo, where she studied woodblock printing techniques. She lived there until 1914.
The west front of St. Francis Catholic Church, Moloka’i Island, Kalaupapa, Hawaii, July 1991, by Jack E. Boucher for an Historic American Buildings Survey (HABS), via Library of Congress Prints and Photographs Division (all photos here).
The church was built in 1908 to serve the Kalaupapa Leprosy Settlement, now part of Kalaupapa National Historical Park.
The word porch — “1250-1300; Middle English porche < Old French < Latin porticus porch, portico” — was originally used to indicate the covered entrance to a church, usually on the south side.
. . . I would wander forth/ And seek the woods.*
Witch hazels at the botanical garden of the University of Hohenheim, yesterday afternoon.
Streifzug means ‘foray,’ ‘ brief survey,’ or ‘ramble.’
*William Cullen Bryant, from “A Winter Piece“
enclos*ure 