Cut amaryllis flowers from the grocery store and nice orange berries from the ugly euonymus in the front yard.
I like orange and pink at Christmas.
The amaryllis started out long-stemmed — although not so long as these — but I cut them down as they started to fade a little after a week.
To see what other bloggers have put in a vase today, please visit Cathy at Rambling in the Garden.
Part of the formal garden of the Château de Fontainebleau, with the Grand Canal barely visible in the distance, Ile-de-France, France, between 1914 and 1925. This is a glass lantern slide by Williams, Brown & Earle, Inc., via Archives of American Gardens, Garden Club of America Collection, Smithsonian Institution (used here by permission).
The Archives holds over 60,000 photos and records documenting 6,300 historic and contemporary American gardens. At its core are almost 3,000 hand-colored glass lantern and 35mm slides donated by the Garden Club of America, which is the source of this image.
(Click on the picture to enlarge it.)
Peristyle of the House of the Golden (or Gilded) Cupids, Pompeii, Italy, March 28, 1921, by Auguste Léon, via Archives of the Planet Collection – Albert Kahn Museum /Département des Hauts-de-Seine.
There are recent photos of the garden here and here and here. It has been restored to what is believed to be its Roman appearance, based on archaeological research, including taking root castings.
This autochrome is one of about seventy-two thousand that were commissioned and then archived by Albert Kahn, a wealthy French banker and pacifist, between 1909 and 1931. Kahn sent thirteen photographers and filmmakers to fifty countries “to fix, once and for all, aspects, practices, and modes of human activity whose fatal disappearance is no longer ‘a matter of time.'”* The resulting collection is called Archives de la Planète and now resides in its own museum at Kahn’s old suburban estate at Boulogne-Billancourt, just west of Paris. Since June 2016, the archive has also been available for viewing online here.
*words of Albert Kahn, 1912. Also, the above photo (A 25 797 S) is © Collection Archives de la Planète – Musée Albert-Kahn and used under its terms, here.
Pergola covered in wisteria and ivy in a garden of Villa Palmieri, Florence, ca. 1915, from the Arthur Peck Collection, via Oregon State University (OSU) Special Collections & Archives Commons on flickr.
The 14th century Villa Palmieri is credited with being the story-telling setting for Boccaccio’s Decameron.
To see this garden, its handsome ordering, the plants, and the fountain with rivulets issuing from it, was so pleasing to each lady and the three young men that all began to affirm that, if Paradise could be made on earth, they couldn’t conceive a form other than that of this garden that might be given it.
However, the garden was completely restructured in 1697 and then partially redesigned several times thereafter, according to current fashions, through to the 1920s.
Since 1986, the villa has been owned by the Italian government and houses part of the European University Institute.
Arthur Peck was a Professor of Landscape Architecture at the Oregon Agricultural College from 1908 to 1948. During his long career, he created a teaching library of 24 boxes of glass lantern slides — now in OSU’s archives.
Interior garden of Abbaye Sainte-Marie, 13th. century cloister, Arles-sur-Tech, France, November 1902, by Eugène Trutat, via Bibliothèque de Toulouse Commons on flickr.
The garden is far more formal now, with a clipped boxwood parterre in a geometric pattern around a fountain. There’s a more recent photo here.