Vaux-le-Vicomte

Vaux le Vicomte, France, 1925, Library of Congress
View from the château, Maincy, France, 1925, by Frances Benjamin Johnston, via Library of Congress Prints and Photographs Division.

Vaux-le-Vicomte — the château and garden together — was “the first great work of the French baroque,” according to garden historian Tom Turner.

In his book, The Seven Ages of Paris, Alistair Horne tells the story of the estate’s big reveal to Louis XIV, then only 22 years old and struggling with a nearly bankrupt treasury:

Nicolas Fouquet, a vain, ostentatious and ambitious parvenu, had been Louis’s minister superintendent of finance since 1653.  Now aged forty-five, he had just built himself a magnificent mansion at Vaux-le-Vicomte. . . . [O]n 17 August 1661, [he] audaciously invited the King to a lavish gala. . . The massive iron gates gleamed with freshly applied gilt; in the vast gardens laid down by André le Nôtre 200 jets d’eau and fifty fountains spouted on either side of a main alley nearly a kilometer long. For the previous five years, some 18,000 workmen had toiled to produce this wonder of the modern age, eradicating three villages that had happened to be in the way.  Certainly it trumped the modest royal hunting-lodge of the King’s father out at Versailles, which Louis was currently doing up.

Inside the imposing mansion the royal party dined off a magnificent gold service which likewise must have made its impression on the King, who had had to sell off his plate to meet military expenditure. . . . [T]he whole episode outraged him.  At various points in the evening, Louis came close to losing his temper — whispering to his mother, “Madame, shall we make these people disgorge?” . . . Less than three weeks later, just as he was arriving at a meeting in Nantes, Fouquet was arrested by the legendary D’Artagnan of Three Musketeers fame.

After the arrest, Louis took possession of artwork, furniture, and all the orange trees from Vaux-le-Vicomte. More importantly, he sent its architect, Louis Le Vau, and its painter-decorator, Charles Le Brun — and, of course, Le Nôtre — to Versailles. Fouquet died in prison in 1680.

Seven Ages . . . is a very good history to read if you are planning a trip to the Paris.

I have been taught never to brag but now
I cannot help it:  I keep
a beautiful garden, all abundance  .   .   .
I want to take my neighbors into the garden
and show them: Here is consolation.

Paisley Rekdal, from “Happiness

Our August yard

August 16, 2016, enclos*ure

Here are some mid-month pictures of our shaggy backyard on one side. (Click on any thumbnail image below to enlarge it.)

The pattern that I cut in the grass in May has blurred quite a bit, but I still enjoy it, especially in the morning light.

August 16, 2016, enclos*ure

Our little corner bean-shaped flower bed has produced a surprising number of blooms this summer, considering that I had pretty much written it off last fall and had started using it as a compost pile. I thought this would kill off everything but the golden spirea and the “Fairy” rose, and then I could start over with better ground.

Instead, the previously sickly looking hydrangea, hybrid tea roses, and sedums seem to like growing under at least 3″ to 6″ of half-rotted leaves and grass clippings (and some coffee grounds).  I did smother a lot of weeds, but I don’t know what has happened to the mice that were living there too.

My plan to follow the Spielhaus Garden this year for Bloom Days and Foliage Follow Ups has not worked out very well due to travel, rainy weather, and a sometimes hurting foot — with surgery planned in a few weeks — but I hope I can get over there sometime this month and bring you an update.

Thanks to Pam at Digging for hosting Garden Bloggers’ Foliage Follow Up on the 16th of every month. And to see the mid-month flowers of other garden bloggers, please visit Carol at May Dreams Gardens.

The Sunday porch: Strasbourg, France

St. Pierre le Jeune 5, Strasbourg, Aug2016, by enclos*ure

We spent Thursday through Saturday this week in Strasbourg, and a highlight of this trip for me — aside from two great meals (here and here) — was a visit to the Église protestante Saint-Pierre-le-Jeune or Young* Saint Peter’s Protestant Church.

The church has the oldest surviving cloister “north of the Alps,” according to its website.

Three of the four galleries were constructed in the Romanesque style in the 11th century. The fourth, shown above and in the three photos below, was completed in the 14th century in the Gothic style.

St. Pierre le Jeune 6, Strasbourg, Aug2016, by enclos*ure

The gallery shown above and below was set up for a performance that day.

St. Pierre le Jeune 1, Strasbourg, Aug2016, by enclos*ure

St. Pierre le Jeune 7, Strasbourg, Aug2016, by enclos*ure
Behind the small stage was a modern sculpture. There were modern works throughout the church. (Unfortunately, I didn’t think to photograph their labels.)

St. Pierre le Jeune 8, Strasbourg, Aug2016, by enclos*ure

Above: a Romanesque gallery, also ready for a performance or lecture. I loved the pretty chairs, used throughout the church.

St. Pierre le Jeune 2, Strasbourg, Aug2016, by enclos*ure
A stone mason’s mark?

St. Pierre le Jeune 11, Strasbourg, Aug2016, by enclos*ure
Above and below: the garden in the center.

St. Pierre le Jeune 9, Strasbourg, Aug2016, by enclos*ure

The cloister was heavily damaged and partly buried in the 1700s and then re-built in other ways. After the French revolution, the site was privatized — serving over the years as a wine cellar, a cloth factory, and apartments. It was restored to its original appearance between 2000 and 2008.

St. Pierre le Jeune 12, Strasbourg, Aug2016, by enclos*ure
On the inside, Église Saint-Pierre is remarkable for its array of colors and forms. The church was built in the 14th and 15th centuries in the Romanesque and Gothic styles.

Originally Catholic, of course, in 1524, it became Protestant.  Then in 1682, Louis XIV gave over the choir area behind the rood screen for the exclusive use of the Catholic parish. A dividing wall was built, and it remained there until 1898, when the Catholic congregation moved to its own “Young Saint Peter’s.”  In the meantime, in the 18th century, the choir had been redecorated in the Baroque style, in green and gold. Continue reading “The Sunday porch: Strasbourg, France”

Life in gardens: Kolín

Kolin Island, Museum of Photographic Arts
“Sunday Afternoon on Kolín Island,” Czech Republic, 1922, by Joseph Sudekvia Museum of Photographic Arts Commons on flickr.

Life in gardens: natural light

Marilyn and Elizabeth, Museum of Photographic Arts

Elizabeth and Marilyn Watson, probably in the Berkeley, California, area, 1921, by Dorothea Lange, via Museum of Photographic Arts Commons on flickr (all photos here).

Marilyn and Elizabeth 2, Museum of Photographic ArtsAbove, Marilyn Watson; in both photos, the sisters seem to be under a grape arbor. Below, they are with their mother, May V. Landis Watson, still outdoors, I believe.

Watson family, D. Lange, Museum of Photographic Arts

In 1921, Lange was 26 years old and running her own portrait studio in Berkeley. She had many well-to-do clients, as the Watsons appear to be. Ten years later, she would begin the work that made her famous: capturing the faces of the Great Depression and of the WWII internment of Japanese-Americans.

There’s a little clip from a PBS documentary on Lange here. It shows a number of her early photographs.