I spent last week in Pretoria, South Africa, trying to find out why I have ringing in my ears. Pretty much as I expected, there was no real answer.
I came away with a lot of MRI images of the inside of my head and these snapshots of the beautiful huge palm trees of Venning Park, next to the American Embassy.
I wish I could have also captured the lovely silky quality of Pretoria’s early winter light.
Tomorrow: Garden Bloggers’ Bloom Day, hosted by May Dreams Gardens.
The Potomac River from below Alexandria, Virginia, ca. 1895, by Frances Benjamin Johnston, via Library of Congress Prints and Photographs Division.
The view from Catherine de’ Medici’s* study at Chateau de Chenonceau.
The photo above is “In May” by Frances Stebbins Allen (1854-1941). It was taken ca. 1900.
Allen and her sister, Mary Electa Allen, of Deerfield, Massachusetts, were among the finest early pictorial photographers in America (also see here).
They were probably taught the craft by their brother, a civil engineer. When they both went deaf in the 1880s and had to leave their jobs as teachers, they turned their new skill into a business.
They capitalized on their town’s growing importance in the arts and crafts movement of the region and specialized in pictures of historic Deerfield — often staging genre scenes.
With the invention of the halftone in 1888, which allowed photographs to replace wood engravings as printed illustrations, they sold many pictures to magazines. This one, of “colonial glassware,” was taken by Frances for an 1898 article in House Beautiful magazine.
Both photos above were part of a large group of “artistic photographs” by early women photographers that was donated to the Library of Congress by Frances Benjamin Johnston.
Among the collection are some lovely landscapes captured by artists whose names are now unknown.
“Landscape of sand dunes,” photographer unknown, ca. 1900.
“Landscape of a field with a hill in background,” photographer unknown, ca. 1900.
“Landscape of trees and meadow with irises in foreground,” photographer unknown, ca. 1900.
In the spring of 1900, some of these photos may have been among an exhibition of work by American women photographers that Johnston created for the Exposition universelle internationale in Paris.
To scroll through larger versions of the images, click on any thumbnail in the gallery below.
enclos*ure 